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The Lord to me a Shepherd is: Choral Works (inc. Oratorios)

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The Lord to me a Shepherd is Cover Image

The Lord to me a Shepherd is: Choral Works (inc. Oratorios)

By Judith Bingham

Item: 98-EP71737

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-57-700210-4
ISBN13: 979-0-57700-210-1
SKU: 98-EP71737

More about this title

About the Composer: Judith Bingham

Judith Bingham is a British composer whose work spans choral music, orchestral pieces, and vocal chamber works. Her compositions are known for their lyrical clarity, harmonic sophistication, and deep engagement with text, whether sacred or secular. She has held teaching positions at various institutions and has received commissions from major choral ensembles across the UK and beyond.

Bingham's approach to choral writing emphasizes both accessibility and musical substance. Her settings of religious and liturgical texts demonstrate a gift for creating music that serves the choir's capabilities while respecting the weight of the words being sung. Her works appear regularly on concert programs because they balance technical craftsmanship with genuine emotional and spiritual resonance.

Why we love this

Bingham's choral writing gives singers real melodic material to perform and connect with while maintaining structural integrity throughout each piece. Directors appreciate her understanding of how text and music reinforce each other, creating pieces that engage both the choir and the listener with equal sincerity. Her oratorio-influenced works offer ambitious programming without requiring massive forces, making them practical for choirs of varying sizes.

What to expect

The music unfolds with a reflective, introspective quality. Bingham's harmonic language is modern without being atonal, creating a sense of timelessness appropriate to sacred texts while remaining accessible to contemporary singers and listeners. There's a balance between textural simplicity and emotional depth throughout the collection.

Who it's for

Choirs with intermediate to advanced reading skills looking for substantive sacred choral literature that extends beyond standard repertoire. This collection serves directors seeking pieces suitable for liturgical use, concert performance, or choir festival programming.

How to get the most out of it

  • Shape phrases according to the natural contours of the text; Bingham's settings typically follow speech patterns, so allow the words to guide your phrasing rather than imposing regular metric shapes.
  • Attend carefully to harmonic color in slower sections. These pieces often rely on subtle chord movements to create emotional resonance, so balance is more important than volume.
  • Work for clarity in ensemble writing where multiple voice parts carry independent melodic lines. Mark entrances and breath points clearly in rehearsal to maintain textual intelligibility.
  • Consider the liturgical or devotional context of individual movements when selecting tempos and dynamic levels; Bingham often writes for contemplative spaces.

How to use it

These pieces work well as concert centerpieces or as part of programs exploring contemporary sacred music. The oratorio-influenced works can anchor a concert theme around spirituality, pilgrimage, or faith while remaining engaging for general audiences. Select movements that fit your choir's vocal range and rehearsal timeline, as the collection allows for flexible programming.

Skills your students will build

  • Sustaining lyrical melodic lines across longer phrases
  • Balancing harmonic color and ensemble blend in modern choral writing
  • Interpreting text with musical sensitivity and clarity
  • Reading and performing independent voice parts with musical independence

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