The Lord is my Shepherd Op. 188b: Choral Works (inc. Oratorios)

Hovhaness brings a meditative quality to this psalm setting that feels utterly sincere rather than sentimental. The choral writing sits comfortably for mixed voices while the harmonic language, shaped by his Armenian heritage, creates an distinctive sonic world that lingers with singers and audiences alike.

The music unfolds with quiet assurance, creating a sense of trust and calm reflection. Hovhaness's modal harmonies suggest both ancient tradition and timeless spirituality, inviting singers and listeners into a space of contemplation.

This octavo works for choirs seeking repertoire that honors the psalm text with musical sincerity and modest technical demands. Mixed voice ensembles from high school through community and church choirs will find accessible part writing without sacrificing harmonic interest or spiritual depth.

• Shape the opening phrases with gentle dynamic swells to establish the contemplative mood before settling into a steady, unhurried pulse.
• Balance the harmonic colors carefully; Hovhaness's chord voicings often contain unexpected inner voices that deserve clarity without overexposure.
• Allow breath points to fall naturally between textual phrases rather than forcing divisions at the end of systems, letting the poetry guide the phrasing.

This pairs naturally with other sacred or meditative works in concerts focused on spirituality, faith, or psalms. Its moderate length and accessible execution make it suitable for spring or festival programming, or as a centerpiece in services or events emphasizing introspection.

• Singing sustained harmonic structures with accurate intonation in modal contexts
• Interpreting musical line through text-based phrasing rather than metric divisions
• Blending unfamiliar harmonic colors while maintaining individual part security