The Little Piano Book Vol.3: The Classical Period Cover Image

The Little Piano Book Vol.3: The Classical Period: Piano Solo

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The Little Piano Book Vol.3: The Classical Period Cover Image

The Little Piano Book Vol.3: The Classical Period: Piano Solo

Edited by Kurt Hermann

Item: 98-EP4453

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Description
The Little Piano Book is a collection of easy to moderately difficult pieces for solo piano. This edition is volume 3 "The Classical Period", and contains works by various composers, edited by Kurt Herrmann.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 44
ISBN10: 0-01-402691-0
ISBN13: 979-0-01-402691-2
UPC: 0
SKU: 98-EP4453

More about this title

About the Creator: Kurt Herrmann (Editor)

Kurt Herrmann compiled this volume as part of the larger Little Piano Book project, bringing together essential works from the Classical period under one curated edition. His approach to selection reflects a pedagogical eye for pieces that balance technical accessibility with musical substance, making the era's characteristics clear to developing pianists.

Why we love this

This collection captures the heart of Classical-era keyboard writing without drowning students in obscure arrangements or pedagogically flawed edits. Kurt Herrmann's selection and editing reflect genuine understanding of what makes Classical pieces rewarding to learn and perform at the intermediate level.

What to expect

Clear lines, balanced phrases, and the particular clarity that defines Classical piano writing. These pieces let the music breathe with directness and refinement, avoiding both the ornamentation of the Baroque and the dramatic excess of the Romantic era.

Who it's for

Piano students working at the early intermediate level who are ready to move beyond simplified folk songs and into genuine repertoire from the Classical era. This collection works equally well for recital preparation, sight-reading practice, or exploring multiple composers in a single volume.

How to get the most out of it

  • Pay attention to phrase structure and breathing points. Classical composers were explicit about where lines end; respect those boundaries even in fast passages.
  • Balance melody and accompaniment carefully. Many of these pieces fall apart when students treat accompanying figures as background noise rather than integral to the harmonic and rhythmic conversation.
  • Approach ornamentation with period-appropriate restraint. If the score includes trills or turns, research the composer's typical execution style rather than defaulting to fast and busy.

How to use it

Build a thematic recital around Classical keyboard composers, or use individual selections as contrasting pieces in a mixed-repertoire program. The moderate difficulty also makes this collection ideal for introducing students to period-specific interpretation without requiring advanced technique.

Skills your students will build

  • Reading Classical-era notation and articulation markings
  • Controlling even accompaniment patterns while maintaining clear melodic lines
  • Understanding phrase structure and harmonic function in tonal music
  • Playing with appropriate clarity and elegance across different textures

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