The Little Drummer Boy Cover Image

The Little Drummer Boy: Jazz Ensemble Conductor Score

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The Little Drummer Boy Cover Image

The Little Drummer Boy: Jazz Ensemble Conductor Score

Words and music by Katherine Davis, Henry Onorati, and Harry Simeone / arr. Rob Holmes

Grade: 3 (Medium)

Item: 00-43683S

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Description
Check this this clever arrangement of the holiday gem "Little Drummer Boy." It's a drumset feature at around 172 BPM in the style of Neal Hefti's "Cute" with a written trumpet 2 solo. The lead trumpet range is up to written A above the staff. A nice sax soli and a unison interlude complete this package (3:42)

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 20
ISBN10: 1-4706-7000-3
ISBN13: 978-1-4706-7000-9
UPC: 038081496054
SKU: 00-43683S

More about this title

About the Composer: Katherine Davis

Katherine Davis (1913-1994) was an American composer and songwriter known for her prolific output across theater, film, and popular music. She collaborated with lyricists Henry Onorati and Harry Simeone on "The Little Drummer Boy," which became one of the most recorded Christmas songs of all time, recorded by everyone from the Harry Simeone Chorale to Bing Crosby.

Davis's gift was crafting memorable melodies with emotional clarity, whether writing for Broadway or the holiday catalog. Her songs have been performed and adapted across countless ensembles and contexts, proving the durability of her melodic instinct.

Why we love this

Rob Holmes has reimagined this beloved holiday standard through the lens of Neal Hefti's sophisticated big band sound, giving your ensemble a vehicle that feels fresh while honoring the song's emotional core. The drumset feature adds genuine solo opportunity for your rhythm section while the written trumpet 2 solo and sax soli ensure front-line musicians have their moment. At Grade 3, it sits in the sweet spot where the chart breathes with style but remains technically accessible.

What to expect

Sophisticated and swinging, with the cool elegance of 1950s big band writing applied to a carol everyone knows. There's a conversational quality as soloists step forward and recede, punctuated by the unison interlude that grounds you back in the original melody. The drumset feature gives the performance an unmistakable contemporary jazz energy.

Who it's for

Jazz ensembles seeking repertoire that honors a standard while offering something contemporary in its sound and structure. Directors programming a winter concert who want a familiar holiday piece with enough musical substance to engage both performers and listeners without feeling like filler.

How to get the most out of it

  • Establish the groove pocket first. The 172 BPM swing feel anchors everything; lock the rhythm section on this before layering in solos.
  • Give your drummer time to inhabit the feature. This isn't background accompaniment. The drumset carries narrative weight here, so rehearse that section with the focus it deserves.
  • Balance the written trumpet 2 solo carefully within the ensemble texture. It needs enough space to sing without the section drowning it out.
  • Shape the sax soli as a unit. These passages work when the saxophones breathe as one voice rather than four individuals.

How to use it

Pair this with other holiday arrangements at contrasting tempos and textures. It works equally well as a centerpiece in a jazz-focused winter program or as the jazz ensemble's contribution to a larger holiday concert alongside your choirs and concert band.

Skills your students will build

  • Reading and playing swing rhythm in a medium-tempo big band style
  • Balancing solo and ensemble textures
  • Executing written jazz articulation and phrasing
  • Drumset soloing within a jazz ensemble context
  • Ensemble cohesion in soli passages requiring precise unison

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