The Lion Sleeps Tonight: TBB Choral Octavo
Lyrics and revised music by George David Weiss, Hugo Peretti and Luigi Creatore / arr. Jeff Funk
Item: 00-PO-0007735
Minimum order quantity: 20 copies
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More about this title
About the Composer: George David Weiss
George David Weiss was a prolific songwriter and composer who shaped American popular music across multiple decades. His knack for crafting memorable melodies and singable hooks made him a sought-after collaborator in film, theater, and commercial music throughout the mid-to-late 20th century.
Weiss wrote songs that transcended their original contexts, creating works that returned to cultural relevance across generations. His ability to write music with lasting appeal made him a key figure in pop songwriting during an era when a single song could define an entire project.
Why we love this
This arrangement captures the infectious energy of a song that refuses to fade from popular consciousness, and it's smart enough to let the melody do the work. Jeff Funk's TBB voicing sits perfectly in the male voice range without straining the upper parts, making it genuinely fun to rehearse and perform. It's the kind of piece that builds immediate enthusiasm in the room while still offering enough musical detail to keep singers engaged.
What to expect
Playful, rhythmically infectious, and genuinely entertaining. The arrangement honors the song's pop sensibility while maintaining musical integrity, creating something that feels equally at home in a concert setting and a theater pit. There's an ease to the writing that makes it feel effortless to sing, even as listeners recognize and celebrate the familiar hook.
Who it's for
Directors building concert programs that connect with audiences beyond the traditional choral repertoire. This works equally well for mixed-voice, men's, or TTB ensembles given the flexible voicing options, and it's an excellent choice for singers who respond to contemporary and film music.
How to get the most out of it
- Nail the rhythmic precision of the "wimoweh" sections; they drive the groove and need crisp unison across all parts.
- Keep the verse phrasing conversational and light, resisting the urge to oversell it. The magic is in the contrast with the infectious chorus.
- Use the recorded accompaniment to lock in the swing and pocket of the original arrangement; let the rhythm section anchor your singers' phrasing.
- Balance the lower voices clearly during the harmony-heavy sections so the arrangement's depth registers with the audience.
How to use it
Position this as a second-half opener to shift the concert's energy and engage the audience immediately. The Broadway connection gives you a strong thematic hook if you're programming music from musical theater, or it stands alone as a palate cleanser between more traditional choral works.
Skills your students will build
- Rhythmic precision in syncopated pop idioms
- Balancing melody and harmony in a commercially-driven arrangement
- Sustaining energy through repetitive, hook-driven material
- Singing with stylistic authenticity in contemporary music contexts