The Lion And The Lamb Sheet Music Preview

The Lion And The Lamb: SATB Choral Octavo

As performed by Brenton Brown / As performed by Brian Johnson / As performed by Leeland Mooring / As performed by Leeland / As performed by Big Daddy Weave / Arranged by Heather Sorenson

Item: 35-DS00415991

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Additional Details
Publisher: Hal Leonard
Page Count: 23
SKU: 35-DS00415991

More about this title

About the Artist: Brenton Brown

Brenton Brown is a worship leader and songwriter whose compositions have become staples in contemporary Christian music. His work emphasizes theological depth and musical accessibility, making his songs effective in both congregational and choir settings.

Why we love this

Heather Sorenson's arrangement captures the meditative strength of this modern hymn without sacrificing singability. The piece moves through dynamic shifts that keep singers engaged while remaining performable by mixed ensembles at intermediate levels, and it programs naturally alongside traditional and contemporary repertoire alike.

What to expect

The piece balances contemplative restraint with moments of ascending intensity. Harmonically rich yet transparent, it invites singers to inhabit the text without demanding technical virtuosity.

Who it's for

This arrangement suits choirs seeking contemporary worship music with substance. It works for church choirs, community ensembles, and secondary school programs looking to expand beyond traditional hymnody.

How to get the most out of it

  • Shape the melody lines through the harmonic progressions rather than holding a rigid tempo; allow slight flexibility at cadential moments to emphasize the text.
  • Balance the alto and tenor lines carefully in passages where they carry inner harmonic motion; these voices often define the emotional arc more than the outer parts.
  • Let the rhythm section lock the foundation while the choir focuses on vowel unification across sustained passages, especially in the lower registers where blend matters most.

How to use it

Place this alongside a traditional hymn arrangement on a concert that explores faith expressions across centuries. It also serves well as a closing piece for a service of music or as the centerpiece of a shorter contemporary worship set.

Skills your students will build

  • sustained legit singing across full phrases
  • singing inside a chord while tracking the melody
  • blend and balance in SATB voicing
  • connecting text to harmonic movement
  • dynamic control across a wide range

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