The Last Time I Felt Like This Sheet Music Preview

The Last Time I Felt Like This: E-Z Play Today

As performed by Johnny Mathis & Jane Olivor

Item: 35-DS00454299

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00454299

More about this title

About the Artist: Johnny Mathis & Jane Olivor

Johnny Mathis brought a distinctive silky baritone to American popular music across six decades, establishing himself as a master of the romantic ballad and jazz standard. His interpretive gifts and technical control made him a natural fit for both vocal performance and the songbook tradition that defines American standards repertoire.

Jane Olivor emerged as a vocal artist with classical training and an instinctive feel for the emotional core of a lyric. Her collaboration with Mathis on this duet showcases two singers approaching a love song from different interpretive angles, each bringing depth and nuance to the arrangement.

Why we love this

This duet captures the warmth of two accomplished vocalists in conversation, making it valuable for students learning how ensemble singing builds from clear phrasing and balanced tone rather than volume. The piece also functions as accessible entry point to interpreting standards, since the melodic writing is straightforward but the emotional authenticity demands genuine engagement with the lyric.

What to expect

Unhurried and reflective, the piece unfolds with the relaxed sophistication of two singers who know how to let a melody breathe. The harmonic language sits comfortably in the pop and standards tradition, making it feel immediately familiar while still offering genuine emotional depth.

Who it's for

Intermediate and advanced pianists seeking accessible popular music that exercises interpretive skills alongside technical control. Student vocalists will find this duet rewarding for learning how to blend with a partner while maintaining individual character.

How to get the most out of it

  • Shape the opening phrases to breathe together; mark your breaths in pencil during the first rehearsal so both singers breathe in the same places
  • Listen for the moment when the two voices shift from paralleling each other to moving in different directions, and highlight that textural change without exaggerating it
  • Maintain consistent vowel shapes throughout the sustained notes, especially in the bridge where harmonic resolution depends on tonal stability

How to use it

Include this on a concert exploring the American songbook tradition alongside other standards arrangements, or pair it with contemporary vocal music to show how romantic duets adapt across genres. It works particularly well in a recital highlighting ensemble vocal work without requiring large forces.

Skills your students will build

  • Balancing vocal blend in ensemble duets
  • Interpreting melodic phrasing within popular music idiom
  • Supporting harmonic movement with consistent tone production
  • Reading and executing dynamic shaping in three-page arrangements

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