The Lady Is A Tramp: E-Z Play Today

This E-Z Play arrangement strips away nothing essential from one of Sinatra's signature numbers while keeping the piano part accessible. The two-page format makes it ideal for student pianists learning to comp behind a vocalist or for those building a jazz standards repertoire without getting bogged down in complex voicings.

Urbane and witty, with a conversational warmth underneath. The song bounces with the confidence of someone comfortable in their own skin, and the piano part captures that ease, never demanding more than it gives.

Piano students tackling standards for the first time, vocalists building an accompaniment library, and anyone looking for a straightforward arrangement of a Broadway classic. This works equally well in a jazz combo setting or as a solo piano piece.

• Listen closely to Sinatra's recording to absorb the phrasing and swing feel; the piano should lay back slightly and let the vocal line breathe rather than pushing ahead
• Keep the left hand light and conversational, treating it as accompaniment rather than a full stride pattern, which preserves space for a singer or other soloist
• Land on the strong beats with intention, especially at phrase endings, to anchor the form without overcomplicating the harmonic movement

Pair this with other Rodgers and Hart standards for a focused concert segment, or use it as an encore piece where a vocalist can shine. It also serves as a bridge repertoire item for students moving from classical to jazz idioms.

• Comping behind a vocal line with appropriate space and support
• Navigating jazz chord symbols and voicing choices at an intermediate level
• Interpreting swing feel and phrasing in a familiar, accessible context
• Reading and executing two-page form without excessive harmonic complexity