The Kings of Swing Cover Image

The Kings of Swing: Concert Band Conductor Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
The Kings of Swing Cover Image

The Kings of Swing: Concert Band Conductor Score

Based on "We Three Kings"

By John Henry Hopkins, Jr. / arr. Michael Story

Grade: 2 (Easy)

Item: 00-43152S

$10.00
Shipped

One moment…

Description
Here's a snappy jazz waltz treatment of the popular Christmas carol "We Three Kings." Perfect holiday programming solution to bring the beat up a notch while introducing your developing band to swing style. Cool kings indeed! (2:00)

The Kings of Swing: Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081507460
SKU: 00-43152S

More about this title

About the Composer: John Henry Hopkins, Jr.

John Henry Hopkins, Jr. (1820-1891) was an American clergyman and hymnodist whose musical legacy rests almost entirely on a single composition. In 1857, he wrote both the text and melody for "We Three Kings of Orient Are," which became one of the most recognizable Christmas carols in the English-speaking world. Though he composed other sacred music during his lifetime, this carol has endured as his defining contribution to music education and holiday worship.

Why we love this

Michael Story's arrangement captures the lilting simplicity of Hopkins's melody while injecting genuine swing feel and rhythmic snap. It's a rare holiday chart that actually sounds fresh at Grade 2 level, giving developing bands real stylistic vocabulary to work with rather than a straightforward march-time carol. The piece proves you don't need complex harmony or extended ranges to deliver genuine musicianship and ensemble satisfaction.

What to expect

This arrangement floats with the urbane charm of a jazz standard dressed in holiday clothes. The three-quarter waltz meter gives it an elegant, almost ballroom quality, while the swing articulation and syncopated accompaniment create forward momentum and contemporary flair that feels anything but stuffy.

Who it's for

Developing concert bands preparing winter or holiday programming will find a piece that builds confidence without oversimplifying musicianship. Directors seeking to introduce swing terminology and feel to young players benefit from a melody that's instantly familiar, allowing students to focus on style rather than learning notes.

How to get the most out of it

  • Establish the swing eighth-note feel early in sectional rehearsals by having players tap the walking bass line while the melody section sustains; this locks the rhythmic foundation before adding harmonic layers.
  • Balance the melody so it sits clearly above the band, especially in the lower woodwinds and brass, which are moving in a way that can easily overshadow the familiar tune.
  • Maintain a steady tempo throughout. The waltz meter requires dancers' poise, not nervous rushing; a metronome at rehearsal prevents the common trap of accelerating on the final section.
  • Shape the dynamics with the swing style in mind. Jazz wallops tend to sit in a narrower dynamic range than classical concerts, so resist the urge to swell dramatically unless Story's score explicitly marks it.

How to use it

Program this as a welcome palate cleanser in a holiday concert, sandwiched between a traditional carol and a concert march to showcase your band's stylistic range. The two-minute length makes it ideal for adding variety to a full program without requiring extended rehearsal time, freeing your preparation calendar for longer concert works.

Skills your students will build

  • Swing articulation and phrasing in 3/4 meter
  • Rhythmic precision in syncopated accompaniment patterns
  • Balancing melody against moving harmonic textures
  • Interpreting jazz style in an ensemble context

You May Also Like