The Joy of Cookin' Cover Image

The Joy of Cookin': Jazz Ensemble Conductor Score & Parts

$60.00 USD
Sale price  $60.00 USD Regular price 
Skip to product information
The Joy of Cookin' Cover Image

The Joy of Cookin': Jazz Ensemble Conductor Score & Parts

By Sammy Nestico

Grade: 4.5 (Medium Advanced / Difficult)

Item: 00-JEM02006

makemusic Cloud badge

Need it now?

Buy Digital Version
$60.00
Shipped

One moment…

Description
From the Quincy Jones and Sammy Nestico CD titled Basie & Beyond. Composed and arranged by the legendary Sammy Nestico, this chart begins with a funky drum groove and develops into a nice easy swing feel with solo space for trumpet and tenor saxophone. In Sammy style, he features a wonderful swingin' ensemble section that cooks hard, then goes back to a funky groove for the reprise. Trumpet range to high F. World class writing! (1:18)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Joy of Cookin': Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Quincy Jones & Sammy Nestico Premier Jazz
Publisher: Alfred Music
Page Count: 146
UPC: 654979024415
SKU: 00-JEM02006

More about this title

About the Composer: Sammy Nestico

Sammy Nestico stands as one of the most prolific and respected arrangers in jazz history. Over a career spanning seven decades, he has written for Count Basie's orchestra, collaborated with Quincy Jones on landmark recordings, and composed charts that have become standards in the jazz ensemble repertoire. His writing is distinguished by its clarity, swing, and ability to showcase soloists while maintaining ensemble cohesion.

Nestico's approach to arranging prioritizes musicianship and playability. He understood what jazz musicians need to succeed: logical voice leading, idiomatic writing for each instrument, and grooves that inspire rather than constrain. His work appears regularly in jazz programs worldwide, making him essential repertoire for any ensemble serious about the art form.

Why we love this

This chart demonstrates why Nestico's writing remains the gold standard for ensemble jazz. The architecture is smart: a funky opening draws listeners in, trumpet and tenor saxophone soloists get real space to stretch, and the ensemble section swings with genuine power. At grade 4.5, it challenges your section leaders while remaining accessible enough that it sounds polished quickly.

What to expect

Grounded, sassy, and always in the pocket. The funky opening has attitude; the swing section cooks without pretension. This is jazz that knows how to have fun while respecting the listener's ear.

Who it's for

Jazz ensemble directors at the medium-advanced level seeking a chart that develops musicianship while delivering genuine entertainment value. Ensembles with strong soloists will thrive here, though the part writing supports section players too.

How to get the most out of it

  • Establish the funky drum groove as the foundation. The opening pocket must lock before the rest of the ensemble enters; make this your first rehearsal priority.
  • Give soloists time to find their voice over the changes. These sections reward authentic improvisation rather than reading note-for-note.
  • Balance the ensemble section so the brass doesn't overwhelm the saxophones. This is where Nestico's writing sings, and clarity matters more than volume.
  • Return to the funky groove for the reprise with the same precision as the opening. The contrast between groove and swing is what makes this chart memorable.

How to use it

Program this early in a set to establish energy and confidence, or use it as a crowd-pleaser at the end of a longer concert. It works equally well at festival competitions and informal community jazz nights.

Skills your students will build

  • Comping and time-feel in funk and swing contexts
  • Trading solos and listening to band mates during improvisation
  • Balancing ensemble blend across sections
  • Executing syncopated rhythms and articulations in jazz style
  • Reading and responding to rubato vs. strict time changes

You May Also Like