The Joker (arr. Anna Tabbush): TTBB Choral Octavo

Tabbush's arrangement captures the infectious groove of the original while keeping the texture clean and singable across multiple voice parts. The eight-page score gives singers enough musical substance to feel invested without overwhelming them; this is the kind of arrangement that builds confidence because every voice gets a moment to shine.

Laid-back and funky with a wink. The iconic opening riff translates into vocal life with the kind of easy swagger that makes singers want to perform it. There's humor built into the song itself, which means your singers can have genuine fun on stage.

Mixed choirs of all experience levels will find success here. The voicing flexibility (TB/TTB/TBB/TTBB) means you can adjust for your group's specific makeup without compromising the arrangement.

• Nail the rhythmic pocket from the first rehearsal. The groove is everything in this tune, so lock in the backbeat before worrying about blend or interpretation.
• Balance the melody so it sits clearly above the supporting voices. Many arrangers bury the hook here, but Tabbush likely keeps it accessible; highlight whoever carries it in each section.
• Keep the energy consistent throughout. This song lives in simplicity and confidence, not drama. Oversinging undermines the whole effect.

Drop this into a spring or winter concert that needs a modern pop moment, especially if you're programming alongside classic standards or heavier choral works. One accessible pop arrangement can make an entire concert feel contemporary and relevant to your community.

• Maintaining steady groove against syncopated rhythmic figures
• Singing with a relaxed, confident vocal quality appropriate to contemporary pop
• Balancing a catchy melody line with supportive harmonic parts
• Ensemble cohesion in a rhythmically driven context