The Jive Samba: Jazz Ensemble Conductor Score & Parts
By Cannonball Adderley / By Nat Adderley / Arranged by Mark Taylor
Grade: 3
Item: 35-PK00246457
$50.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| The Jive Samba - Conductor Score (Full Score) | $7.50 | |
| The Jive Samba - Alto Sax 1 | $6.00 | |
| The Jive Samba - Alto Sax 2 | $6.00 | |
| The Jive Samba - Tenor Sax 1 | $6.00 | |
| The Jive Samba - Tenor Sax 2 | $6.00 | |
| The Jive Samba - Baritone Sax | $6.00 | |
| The Jive Samba - Trumpet 1 | $6.00 | |
| The Jive Samba - Trumpet 2 | $6.00 | |
| The Jive Samba - Trumpet 3 | $6.00 | |
| The Jive Samba - Trumpet 4 | $6.00 | |
| The Jive Samba - Trombone 1 | $6.00 | |
| The Jive Samba - Trombone 2 | $6.00 | |
| The Jive Samba - Trombone 3 | $6.00 | |
| The Jive Samba - Trombone 4 | $6.00 | |
| The Jive Samba - Guitar | $6.00 | |
| The Jive Samba - Piano | $6.00 | |
| The Jive Samba - Bass | $6.00 | |
| The Jive Samba - Drums | $6.00 | |
| The Jive Samba - Aux. Percussion 1 | $6.00 | |
| The Jive Samba - Aux. Percussion 2 | $6.00 | |
| The Jive Samba - C Solo Sheet | $6.00 | |
| The Jive Samba - Bb Solo Sheet | $6.00 | |
| The Jive Samba - Eb Solo Sheet | $6.00 | |
| The Jive Samba - Bass Clef Solo Sheet | $6.00 |
Parts Added to Cart!
Description
Recorded by the Cannonball Adderley Quintet in the 1960s, this distinctive samba was composed by Cannonball's brother Nat. Featuring a relaxed Latin groove and the familiar riff-like melodies, Mark's chart uses an ensemble of 3 saxes, trumpet and trombone alternating with punches from the entire ensemble. Solos are included for alto and trumpet, and the shout chorus features occasional 3/4 measures thrown in for added spice.
The Jive Samba: Jazz Ensemble Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Request This Title
Tell us you want it.
Start Your Free Trial
Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00246457
More about this title
About the Composer: Cannonball Adderley
Cannonball Adderley was a pioneering alto saxophonist whose warm tone and bluesy phrasing shaped the sound of soul jazz throughout the 1950s and 1960s. His quintet, often featuring his brother Nat on cornet, became one of the most commercially successful and musically inventive small ensembles in jazz history, known for bridging bebop sophistication with accessible, groove-oriented playing.
Nat Adderley, Cannonball's cornet player and composer, wrote much of the quintet's most memorable material. His compositions combined infectious Latin rhythms, singable melodies, and an unfussy approach to harmony that made complex jazz feel natural and enjoyable. The Jive Samba exemplifies his gift for writing pieces that sound spontaneous and fun while demanding real musicianship from performers.
Why we love this
Mark Taylor's arrangement captures the casual swing and infectious energy of the original recording while giving your ensemble a genuine solo vehicle. The chart's interplay between sectional punches and individual voices mirrors the give-and-take of the classic quintet, and those unexpected 3/4 measures in the shout chorus create an engaging rhythmic surprise that keeps players sharp.
What to expect
Warm, conversational, and unhurried. The piece breathes like a late-night club session where players trust each other enough to stretch out. Latin percussion colors the harmonic movement while the melodic hooks stay simple enough to remember but interesting enough to merit repeated playing.
Who it's for
Grade 3 jazz ensembles ready to tackle jazz language beyond straight blues changes and standard swing. Your players need solid sightreading and some solo experience, but the groove accessibility means they can sound sophisticated quickly.
How to get the most out of it
- Anchor the Latin groove in the kick drum and bass line first. Once those two are locked and relaxed, the horns will feel the pocket naturally rather than forcing the rhythm.
- Balance the sax section's riff so it sits comfortably under the lead voice without overpowering it. The ease of the original recording comes from restraint, not volume.
- Prepare soloists with clear structural landmarks. Knowing where the shout chorus and those 3/4 measures arrive will help them navigate and land their statements confidently.
- Keep the tempo floating rather than metronomic. Samba breathing room matters more than precision, and a relaxed feel rewards a rhythm section that listens deeply.
How to use it
Pair this with other Grade 3 Latin jazz standards to build a concert set that explores the genre's rhythmic variety. It also works beautifully as a closer or encore because the familiar groove and upbeat character leave audiences genuinely happy.
Skills your students will build
- Reading Latin rhythms and samba percussion patterns
- Balancing sectional composition with solo transparency
- Navigating metric shifts (3/4 measures within 4/4 time)
- Phrasing and tone in a relaxed, groove-oriented context
- Listening and responding to rhythm section feel rather than metronomic precision
- Understanding riff-based composition and how to voice ensemble punctuation