The Jazz Police Cover Image

The Jazz Police: Jazz Ensemble Conductor Score

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The Jazz Police Cover Image

The Jazz Police: Jazz Ensemble Conductor Score

By Gordon Goodwin

Grade: 5.5 (Advanced / Difficult)

Item: 00-JEM04004C

$12.00
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Description
As recorded on the Silverline Records album XXL (CD and DVD Audio) by Gordon Goodwin's Big Phat Band, this ferocious chart is a totally hot rock-swing-jazz for big band. It will tear it up every performance! Featuring solo space for tenor, trumpet, trombone, or guitar, tons of energy abounds from the first note to the last. Perfect for any experienced band in concert or festival setting. (5:19) This title is available in MakeMusic Cloud.

"This hot jazz-rock arrangement of the Gordon Goodwin Big Phat Band original features a driving bass line and solo sections for alto sax, tenor sax, and drums. A playable yet high-energy chart, the arrangement features fully notated solos, manageable ranges (lead trumpet to written G5), and a solo section that can be opened up for additional players."
- The Instrumentalist.

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Additional Details
Series: Gordon Goodwin Series
Publisher: Alfred Music
Page Count: 20
UPC: 654979070191
SKU: 00-JEM04004C

More about this title

About the Composer: Gordon Goodwin

Gordon Goodwin

Gordon Goodwin began composing at five years old, writing complete pieces rather than fragments. By thirteen, he had already created his first big band chart, Hang Loose, a remarkable achievement that signaled his arrival as a serious voice in jazz arranging. His work in television and film scoring has earned him three Emmy Awards and multiple Grammy nominations, with orchestrations featured in major films including Bad Boys II, Con Air, Remember the Titans, and Star Trek: Nemesis.

Goodwin has written for and performed alongside some of music's most celebrated artists, from Quincy Jones and Ray Charles to Christina Aguilera and Sarah Vaughn. Since founding Gordon Goodwin's Big Phat Band in 2000, he has established himself as both a bandleader and orchestrator of considerable vision. His albums Swingin' for the Fences and XXL have pushed the boundaries of big band jazz, with XXL earning three Grammy nominations including Best Large Jazz Ensemble Album.

Why we love this

The Jazz Police captures everything that makes Gordon Goodwin's writing distinctive: razor-sharp rhythmic precision, sophisticated harmonic language, and relentless forward momentum. This conductor score gives you direct access to the chart as recorded by Big Phat Band on XXL, complete with fully notated solos and strategic openings for your ensemble's strongest voices. The energy never flags, and the arrangement sits in that sweet spot where technical demands challenge advanced players without becoming a transcription showcase.

What to expect

The Jazz Police hits with immediate intensity and never releases the pressure. Grooving, aggressive, and propulsive, it fuses hard-swinging big band tradition with contemporary rock-fusion textures. The result feels like controlled chaos, where precision and attitude live side by side.

Who it's for

Advanced big band ensembles ready to tackle modern jazz-rock fusion with technical confidence and stylistic awareness. Directors programming for concerts or festivals who want a crowd-pleasing, high-energy centerpiece that also respects sophisticated musicianship.

How to get the most out of it

  • Lock the rhythmic foundation early in rehearsal by drilling the bass line and kick drum pattern together; Goodwin's writing depends on absolute precision in the pocket to generate its drive.
  • Work the solo sections deliberately, especially if you plan to open them for additional players beyond those originally notated; establish clear musical signposts so soloists know when to enter and exit.
  • Pay attention to the dynamic architecture in the full band passages; Goodwin builds intensity through layering and orchestration, not just volume, so balance articulation and timbre as carefully as you manage dynamic swells.
  • Study the recorded version on Silverline Records to internalize the intended groove and phrasing; this chart was written with a specific sonic palette in mind.

How to use it

Position this as your concert or festival closer, where the band's energy and confidence are highest. It pairs well with ballads or more traditional swing material earlier in the set, creating strong contrast and leaving audiences on an adrenaline high.

Skills your students will build

  • Executing complex rhythmic figures in rock-swing fusion contexts
  • Playing ensemble passages with locked precision and articulation unity
  • Navigating solo sections with harmonic sophistication and stylistic authenticity
  • Building dynamic intensity through orchestration rather than volume alone
  • Reading and performing in contemporary big band idiom (not traditional swing)

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