The Irish Washerwoman (from the <I>Irish Suite</I>) Cover Image

The Irish Washerwoman (from the <I>Irish Suite</I>): Concert Band Conductor Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
The Irish Washerwoman (from the <I>Irish Suite</I>) Cover Image

The Irish Washerwoman (from the Irish Suite): Concert Band Conductor Score

By Leroy Anderson

Grade: 3 (Medium Easy)

Item: 00-83181C

$10.00
Shipped

One moment…

Description
"The Irish Washerwoman," the first movement of Leroy Anderson's Irish Suite, combines folk material with the composer's own whimsicality. The score was commissioned by the Eire Society of Boston and carries a dedication to Arthur Fiedler, who conducted its first performance on June 6, 1947 at Symphony Hall in Boston. The complete suite includes six melodies which range from the nostalgic to the humorous, from the plainly sentimental to the purely exuberant. Although the melodies come from overseas, the brilliant Irish Suite is typical of Anderson's nimble orchestration, ingenious charm, and happy inventiveness. This opening movement is a jig; brisk in tempo and gay in mood.

This new edition has been freshly re-engraved with a full-score for the first time, permitting articulation uniformity throughout the work.

The Irish Washerwoman (from the Irish Suite): Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Leroy Anderson Classics
Publisher: Alfred Music
Page Count: 36
UPC: 038081321288
SKU: 00-83181C

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908–1975) built his reputation on light orchestral music that combined accessible melodies with sophisticated arranging. A Harvard-educated composer and conductor, Anderson created dozens of works for band and orchestra that became staples of American concert life, performed regularly by Arthur Fiedler's Boston Pops and countless school and community ensembles. His gift lay in taking folk material and popular idioms and transforming them through clever orchestration and harmonic invention, never talking down to his audience.

Anderson's band works remain essential programming for concert bands because they demonstrate how orchestration can be playful without being simplistic. His scores teach ensemble balance, clarity of line, and the art of making a small musical idea resonate across an entire work. Teachers and directors value his music for what it reveals about craft: how to voice a tutti section, how to support a melodic line, how rhythm and color drive narrative.

Why we love this

This score gives bands a chance to perform a work that Arthur Fiedler himself championed, complete with the historical documentation to make that connection real. The newly engraved full score means your ensemble will benefit from uniform articulation and clarity that earlier editions lacked, making it easier to achieve the precision Anderson's orchestration demands. A jig that bounces along on its own energy, it rewards rhythmic confidence and clean ensemble attack while remaining accessible to Grade 3-5 players.

What to expect

A folk tune that bounces along with good spirits and Irish charm, orchestrated with a wink and a nudge. The energy is infectious without ever feeling forced; Anderson's orchestration keeps surprising you with the color he draws from the band, making a simple jig feel fresh and vital. It carries the warmth of tradition and the delight of discovery at once.

Who it's for

Conductors programming a concert band at Grade 3-5 level who want repertoire that audiences know and enjoy, yet which teaches ensemble coordination and orchestration. This is ideal for bands ready to move beyond simplified arrangements but not yet tackling complex modern works. Players benefit from seeing how folk melody and orchestral color work together in a composer's hands.

How to get the most out of it

  • Keep the tempo buoyant but under control. The jig's appeal rests on crisp articulation and rhythmic precision, not rushing. Establish a comfortable groove in rehearsal and hold it steady.
  • Balance the folk melody through the band so it sings clearly. Anderson scores his themes across multiple voices; resist the urge to let any one section dominate. Listen for the thread.
  • Attend to the newly engraved articulation markings in this edition. They reflect Anderson's original intent for character and style. Uniform attack across similar figures creates coherence.
  • Shape the phrase contours rather than playing it straight. The melody has questions and answers; let those dynamics breathe naturally to keep the humor intact.

How to use it

Open a concert with this movement to establish an energetic, audience-friendly tone. It pairs well with contemporary American band music or with contrasting European concert band literature from the same era. Program it early in the year when you want to build ensemble confidence through music that responds immediately to good rehearsal technique.

Skills your students will build

  • Maintaining steady tempo in a rhythmically driving jig meter
  • Balanced articulation across multiple sections carrying the same melodic material
  • Dynamic shaping that serves lyrical phrasing within a fast-moving texture
  • Listening for and supporting a primary melodic line in a full orchestration

You May Also Like