The Impossible Dream (from the musical Man of La Mancha): TTBB Choral Octavo
From the Musical Man of La Mancha
Words by Joe Darion, music by Mitch Leigh / arr. Mark Hayes
Item: 00-PO-0003423
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Mitch Leigh
Mitch Leigh composed the score for Man of La Mancha, the 1965 Broadway musical that became one of the most enduring works in American theater. His music for the show earned him a Tony Award and introduced "The Impossible Dream" to audiences worldwide. Leigh's gift for melody and his ability to capture emotional depth through song made him a significant figure in musical theater composition.
Why we love this
Mark Hayes's arrangement respects the emotional core of this Broadway classic while giving male voices a vehicle for genuine vocal storytelling. The harmonic sophistication and the flexibility to perform with either piano or full orchestration makes this a standout choice for choirs wanting to program meaningful contemporary material with theatrical roots.
What to expect
There is nobility in singing this. The piece invites singers to access something larger than themselves—a vision of striving, hope, and human dignity. The lush harmonies swell around lyrics about fighting for the impossible, creating a performance that feels both intimate and grand.
Who it's for
This octavo is built for mature male choirs, high school through professional levels, that want to perform repertoire with Broadway polish and emotional resonance. Directors seeking music that engages audiences with recognizable, meaningful material while developing choral technique will find this arrangement serves both goals simultaneously.
How to get the most out of it
- Balance the inner voices carefully; the lush harmonies only shine when all four parts carry equal weight and clarity.
- Shape the phrase arc across the entire piece rather than treating each section independently; this is a song about aspiration and persistence, not a collection of moments.
- If performing with the recorded accompaniment, use rehearsals without it to ensure the voices can anchor themselves without depending on the track.
How to use it
Consider this as an opening or closing number for a concert built around Broadway classics, or as a standalone feature that celebrates vocal excellence and theatrical artistry. The piece also works beautifully in mixed-programming contexts where you want to bridge contemporary choral writing with narrative depth.
Skills your students will build
- Balancing four independent harmonic lines with equal projection
- Sustaining phrase legato across longer melodic arcs
- Interpreting text with emotional authenticity in a theatrical context
- Reading accidentals and chromatic voice leading in contemporary arrangements