The Iliad (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

The Iliad (from <I>The Odyssey</I> (Symphony No. 2)): Concert Band Conductor Score & Parts

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The Iliad (from <I>The Odyssey</I> (Symphony No. 2)) Cover Image

The Iliad (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score & Parts

By Robert W. Smith

Grade: 4 (Medium)

Item: 00-BDM00052

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Description
Calls to war are the prelude to this first movement of Robert W. Smith's Second Symphony for band, based on the classic story of 'The Odyssey'. You'll experience the squeaky wheels of the Trojan horse, the forest burning, and the sword fight amidst the distinguished regal melodies and energetic rhythms that drive to a conclusion. The ocean's presence is evident in the optional transition to the second movement, "The Winds of Poseidon" (BD9923). Much awaited, this work is monumental in nature. (7:44)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Iliad (from The Odyssey (Symphony No. 2)): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Symphonic Band
Publisher: Alfred Music
Page Count: 384
UPC: 654979190462
SKU: 00-BDM00052

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among America's most frequently performed composers for concert band and orchestra, with more than 400 published works in circulation. He earned his Bachelor of Music Education from Troy State University in Alabama and his Master of Music from the University of Miami, and has since become a sought-after conductor and clinician on five continents.

His orchestral and band compositions have reached audiences worldwide, from European concert halls to Asian concert stages. Smith's major works, including his first two symphonies (The Divine Comedy and The Odyssey), have become repertoire staples. His music has also appeared in high-profile broadcasts and events ranging from Olympic ceremonies to the Macy's Thanksgiving Day Parade.

Why we love this

Smith constructs this opening movement as a genuine sonic narrative, layering programmatic storytelling with orchestral craft that never sacrifices musicianship for effect. The Grade 4 scoring allows bands with intermediate ensemble strength to tackle a work of genuine symphonic ambition, and the connection to a second movement provides programming flexibility while standing powerfully on its own.

What to expect

You are transported into the Trojan War and its aftermath. The opening calls summon warriors; the orchestra ignites with regal urgency and propulsive rhythm. Amidst the thunder of conflict, you hear gleaming melodic lines that speak of honor and struggle. The sound ebbs and flows like memory itself, grand and inevitable.

Who it's for

Concert bands at the intermediate to advanced-intermediate level (Grade 4) seeking substantial symphonic programming that combines accessibility with genuine artistic weight. Directors building a contest or festival season will find a work that impresses adjudicators while remaining performable by bands still developing their collective sound.

How to get the most out of it

  • Establish the rhythmic vitality early in rehearsal. The energetic drive that propels this movement comes from tight articulation across the ensemble, especially in the wind sections during the battle sequences.
  • Balance the melodic material between sections. Smith weaves regal themes throughout; ensure woodwinds, brass, and percussion each have clarity when carrying the main ideas so the programmatic arc reads distinctly.
  • Lean into the sonic painting. The squeaking of the Trojan horse and forest fire moments are compositional jokes that require intentional sound design; discuss these descriptive passages with your musicians so they understand the context.
  • Control the optional transition passage. If you program this with "The Winds of Poseidon," rehearse the connection thoroughly so the modulation feels inevitable rather than abrupt.

How to use it

This work thrives as a centerpiece of a concert built around literary or mythological themes, or simply as the anchor of a program showcasing your band's technical growth. Its seven-minute span fills a substantial role without dominating; pair it with a contrasting shorter work and a lighter opener for a balanced arc. If your band is ready, the optional transition to the second movement transforms the experience into a two-movement symphonic statement.

Skills your students will build

  • Sustaining driven rhythmic momentum across a seven-minute movement
  • Balancing melodic clarity against full ensemble sonority
  • Interpreting programmatic intent through ensemble articulation and phrasing
  • Managing dynamic contrast to support narrative arc
  • Precision in rapid articulated passages and sustained singing sections

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