The Hustle Sheet Music Preview

The Hustle: Recorder Solo

As performed by Van McCoy

Item: 35-DS01039257

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01039257

More about this title

About the Artist: Van McCoy

Van McCoy was a prolific composer, arranger, and producer whose career spanned from the 1950s through the early 1980s. He became a defining figure in disco music, crafting instrumental arrangements and production work that shaped the sound of the genre during its peak years. McCoy's ability to blend brass sections, string arrangements, and rhythm section grooves made him instrumental in bringing disco into mainstream popular music.

Why we love this

The Hustle captures the infectious energy and clever rhythmic framework that made disco such an effective teaching tool for groove, syncopation, and ensemble coordination. Its straightforward structure and immediately recognizable groove give students a chance to lock into a pocket without fighting the music itself, making it ideal for building confidence in funk and R&B vocabularies. Beyond the classroom, this tune sits at the intersection of pop history and musical authenticity, delivering genuine fun without irony.

What to expect

The Hustle radiates joy and forward momentum. Its steady pulse invites movement, while the arrangement layers enough detail to keep players engaged. There's a built-in swagger to the music that students feel physically as much as they hear it.

Who it's for

Bands and ensembles working on funk, R&B, or light popular music arrangements will find immediate value in this title. It works equally well for concert band, jazz ensemble, or general music classes exploring groove and rhythm styles beyond classical repertoire.

How to get the most out of it

  • Anchor the groove in the kick drum and bass line first. Everything else sits on top of this foundation, so spend rehearsal time locking these two parts before layering in horns or other elements.
  • Keep the hi-hat tight and consistent; the texture of the groove depends on it. Small variations in timing or dynamics will throw off the entire feel.
  • Balance the horn lines carefully so they sit in the pocket rather than pushing ahead. Disco demands precision, not aggression.
  • Let the rhythm section breathe by pulling back dynamics on hits that land on and around the beat. This creates space for syncopated figures to land cleanly.

How to use it

Place this in a concert dedicated to American popular music from the 1970s, or pair it with other disco and funk arrangements to create a thematic set that shows students how rhythm and groove function across styles. It also works as an energetic closer on any concert that needs a feel-good finish.

Skills your students will build

  • Locking the kick drum and bass line together
  • Playing syncopated rhythms against a steady pulse
  • Maintaining consistent hi-hat texture
  • Reading and executing groove-based arrangements
  • Balancing dynamics within a tight rhythm section

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