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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Human Heart (from the musical Once On This Island): SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Stephen Flaherty
Stephen Flaherty has established himself as a major voice in contemporary musical theatre, composing scores for shows that have reached both Broadway and regional stages. His gift for melody and emotional storytelling shines across work spanning intimate chamber pieces to sweeping theatrical productions, making his music accessible to performers and audiences alike.
Why we love this
Andy Beck's SAB arrangement captures the serene accessibility of Flaherty's original while honoring the piece's spiritual core. The gentle island rhythms and tuneful progression make this genuinely singable for mixed choirs at multiple skill levels, yet the message lands with real warmth and sincerity. You'll find your singers connecting to the text immediately, and audiences will hear exactly why this song matters.
What to expect
Warm and grounded, with an unhurried quality that feels both intimate and universal. The island-inflected rhythms create gentle forward motion without urgency, while the melody sits naturally in a singer's voice and invites genuine expression of the text's humanistic message.
Who it's for
Mixed choirs preparing graduation services, end-of-year concerts, or community celebrations will find this piece resonates with students and families alike. The SAB voicing works well for choirs with developing altos or mixed voice experience, and the contemporary theatrical context appeals to singers who respond to musical theatre repertoire.
How to get the most out of it
- Lean into the subtitle's promise of 'subtle island rhythms.' These aren't decorative; they anchor the emotional honesty of the lyrics. Keep percussion light and transparent so the voices remain the primary focus.
- Shape the phrase lengths to match the text's natural breathing. The gentle quality depends on singers understanding where ideas begin and end, not rushing between sections.
- Balance the three parts so the melody is clear but neither sopranos nor altos disappear. The 'connection of all people' only works if every voice part feels equally vital.
How to use it
Position this as a reflective centerpiece in a graduation program, particularly effective following more celebratory selections. Its contemporary source and accessible arrangement also make it ideal for repertoire showcases exploring musical theatre or for spring concerts emphasizing themes of connection and shared humanity.
Skills your students will build
- Balancing vocal parts in three-part mixed voicing
- Phrasing lyrical melody with text awareness
- Interpreting rhythmic flexibility within a steady harmonic foundation
- Singing with emotional authenticity in contemporary theatrical contexts