The Holiday Tango! Sheet Music Preview

The Holiday Tango!: 2-Part Choral Octavo

By Greg Gilpin

Item: 35-DS00458544

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00458544

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin has established himself as one of the most performed choral composers in America, with his works heard in concert halls from Carnegie Hall and Lincoln Center to the Ryman Auditorium. His compositions and arrangements have also traveled internationally, receiving performances at venues including the Sydney Opera House, Royal Festival Hall in London, and Harpa Concert Hall in Reykjavik. As Director of Educational Choral Publications for Shawnee Press, Gilpin continues to shape the landscape of accessible, singable choral music for student ensembles.

Beyond the choral world, Gilpin's creative reach has expanded significantly. He earned an ASCAP award for his compositional work, created the score for the award-winning short film "Rosie's Rescue," and collaborated with opera singer Angela Brown on a striking new arrangement of "What Child is This?" premiered by the Indianapolis Symphonic Choir. A committed member of ACDA, NAfME, and Phi Mu Alpha Sinfonia, Gilpin balances his work as a conductor, composer, and educator with an unexpected venture into professional organizing, bringing the same clarity and structure he brings to music into other areas of life.

Why we love this

Gilpin crafts holiday repertoire that feels fresh rather than familiar, and this tango arrangement brings sophistication to a voicing often limited to simple harmonies. The infectious rhythmic drive of the tango idiom energizes what could otherwise feel like standard holiday fare, making it a natural fit for groups seeking something with genuine rhythmic interest and personality.

What to expect

A sly, sophisticated take on holiday music that trades reverence for vitality. The tango rhythm injects playful energy and Latin warmth into a seasonal text, creating something that feels both festive and surprisingly modern. It lands somewhere between a traditional carol and a concert piece that happens to celebrate the holidays.

Who it's for

Treble or developing choirs seeking holiday repertoire that moves beyond traditional carol arrangements. The two-part voicing makes it accessible to middle school ensembles while the tango idiom provides genuine musical substance that doesn't talk down to singers or audiences.

How to get the most out of it

  • Anchor the tango rhythm in the body. Have singers feel the characteristic lilt of the tango pulse rather than singing it metrically straight; this infectious quality separates an authentic performance from a merely correct one.
  • Balance clarity of text with the forward motion of the accompaniment. The tango's propulsive accompaniment can easily overpower the singers, so rehearse with a strong dynamic baseline in the voices.
  • Shape the melodic phrases across the bar lines rather than landing heavily on each downbeat. The tango works best when the vocal line floats above the rhythmic foundation beneath it.

How to use it

Position this as an unexpected closer or second-to-last selection on a winter concert, where its brightness and rhythmic élan can lift the energy after more traditional pieces. It works equally well in a mixed program that blends holiday and secular music, signaling to the audience that holiday repertoire can be adventurous.

Skills your students will build

  • Singing against a steady rhythmic accompaniment with syncopated or syncopated-feeling text
  • Maintaining clear diction while executing the flowing, idiomatic phrasing of the tango style
  • Understanding how cultural and stylistic elements (Latin rhythm, tango idiom) interact with seasonal texts

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