The Holiday Season: TTB Choral Octavo
Words and music by Kay Thompson / arr. Mark Hayes
Item: 00-PO-0006345
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Kay Thompson
Kay Thompson (1909-1998) was a versatile entertainer, pianist, arranger, and composer who bridged classical training with popular song. She built her reputation as a meticulous musician in Hollywood's golden age, composing, arranging, and performing across film, television, and stage. Her gift for crafting sophisticated yet infectious melodies made her a sought-after composer for seasonal material, and her work has become synonymous with mid-century American Christmas entertainment.
Thompson's arrangement sensibilities shaped the sound of holiday music for generations. Her compositions balance accessibility with musical substance, featuring memorable hooks and harmonic sophistication that reward repeated listening. Her influence extends far beyond her own recordings; countless arrangements and reinterpretations of her seasonal work continue to define how choirs approach holiday pop repertoire.
Why we love this
Mark Hayes's arrangement strips away nothing and adds everything: his orchestration sparkles with authentic Hollywood sheen while keeping the melody front and center. TTB voicing at this energy level is rare; this piece gives lower-voiced choirs access to genuine show-stopping material instead of settling for generic alternatives. The recorded accompaniment and optional instrumental parts mean you can perform this at full production value regardless of your ensemble's accompaniment resources.
What to expect
Sophisticated swing wrapped in warmth and celebration. The piece radiates the glamour of classic Hollywood while remaining completely accessible and joyful. It's the kind of arrangement that reminds audiences why holiday music endures: it combines technical polish with emotional directness.
Who it's for
This octavo is built for choirs that want to perform polished, contemporary holiday music at concert or community events. Directors seeking a crowd-pleasing piece that doesn't compromise musical integrity will find exactly what they need here. TTB ensembles (whether men's choirs, mixed groups performing the lower voicing, or changing voice singers) gain a rare opportunity to tackle genuinely engaging seasonal repertoire.
How to get the most out of it
- Treat the rhythm section groove as your foundation. Lock into the swing feel early in rehearsal so the choir can relax into the pocket rather than pushing the tempo.
- Balance the vocal lines against Hayes's instrumental writing without swallowing the words. The accompaniment is lush, so articulation and phrase shaping matter more than volume.
- Let the arrangement breathe in the flashy sections. Resist the urge to rush moments with complex rhythms or quick harmonic changes; give each chord time to land.
- If using the recorded accompaniment, rehearse with it frequently but also spend time unaccompanied so singers internalize the harmonic movement and phrasing independently.
How to use it
Position this as a centerpiece in a holiday concert, pairing it with other pop seasonal works or contrasting it with more traditional carols to showcase your choir's range. Its theatrical finish makes it ideal as a second-act opener or finale. The 12-page score suggests this carries enough musical substance to anchor an entire program around modern holiday pop.
Skills your students will build
- Singing swing rhythms and maintaining ensemble cohesion within a contemporary groove
- Balancing TTB voicing against rich harmonic writing and instrumental accompaniment
- Interpreting pop-style phrasing and articulation in a choral context
- Reading and performing from a vocal score with complex orchestral accompaniment
- Navigating stylistic contrast between smooth melodic writing and rhythmically active sections