The Heart of the Matter: SATB Choral Octavo
Words and music by Don Henley, Mike Campbell, and John David Souther / arr. Greg Gilpin
Item: 00-PO-0003302
Minimum order quantity: 20 copies
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More about this title
About the Composer: Don Henley
Don Henley co-wrote "The Heart of the Matter" with Mike Campbell and John David Souther, bringing his signature storytelling sensibility to a song about reconciliation and emotional reckoning. The track became one of Henley's most enduring compositions, reflecting his ability to craft rock ballads that resonate across generations with their introspective lyrics and accessible melodies.
Why we love this
Greg Gilpin's arrangement respects the song's emotional core while making it genuinely singable for mixed voices. The harmonies sit naturally in the voice parts, and the text's message about forgiveness lands with authenticity rather than sentimentality, giving your singers something real to interpret.
What to expect
Reflective and honest. The arrangement captures the song's contemplative mood while maintaining the gentle rhythmic push of a rock ballad. There's space for singers to breathe and connect with the lyrical content about letting go and moving forward.
Who it's for
Pop choirs with mixed voices who want repertoire that feels contemporary and thematically substantial. Directors seeking a secular piece that engages singers emotionally without requiring advanced vocal technique or harmonic reading skills.
How to get the most out of it
- Balance the vulnerability in the verses by keeping the dynamic restrained and allowing the lyrics to carry the weight before the choir swells into fuller sections.
- Work the recorded accompaniment early in rehearsal so singers can hear how their parts lock into the harmonic framework of the original.
- Shape the phrase endings with slight ritards where the text suggests reflection or pause; avoid rushing through the emotional moments.
- If you're using instrumental parts, have the rhythm section lock in the groove during sectionals so the choir hears the pocket they're singing into.
How to use it
Program this as a centerpiece for a concert exploring themes of growth, resilience, or reconciliation. It also works as a strong standalone feature that bridges contemporary pop and choral literature for audiences unfamiliar with classical art song.
Skills your students will build
- Singing with rubato and rhythmic flexibility in a pop/rock context
- Balancing individual voice parts within a harmonic arrangement
- Interpreting text with emotional authenticity
- Tracking harmonic movement across four voice parts in a contemporary idiom