The Haunted Carousel Cover Image

The Haunted Carousel: Concert Band Conductor Score

$8.00 USD
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The Haunted Carousel Cover Image

The Haunted Carousel: Concert Band Conductor Score

For Band with Optional iPad Theremin

By Erika Svanoe

Grade: 3 (Medium)

Item: 00-44192S

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Description
Winner of the 2014 National Band Association Young Band Composition Contest, "The Haunted Carousel" was conceived as a piece for band utilizing the sound of a theremin, an electronic instrument often used in old science fiction and horror movies. The part is optional and all critical material is doubled with other instruments of the band. The theremin part is designed to be performed live on an amplified iPad with the GarageBand application. This is one Halloween piece your entire audience will be talking about long after the concert! (4:20) This title is available in MakeMusic Cloud.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-5272-2
ISBN13: 978-1-4706-5272-2
UPC: 038081502328
SKU: 00-44192S

More about this title

About the Composer: Erika Svanoe

Erika Svanoe

Dr. Erika Svanoe holds degrees in music education, wind conducting, and conducting, including a Doctor of Musical Arts from The Ohio State University. She conducts the Augsburg Concert Band at Augsburg University in Minneapolis, where she teaches conducting, music theory, and clarinet; she also maintains an active schedule as a guest conductor and clinician with ensembles across the country.

As a composer, Svanoe has earned recognition for her distinctive voice in band and chamber music. Her breakthrough work, The Haunted Carousel, won the 2014 NBA Young Band Composition Contest and has been performed at major conferences including the Midwest Clinic and CBDNA divisional gatherings. Her subsequent compositions, including Steampunk Suite, have appeared on Wisconsin Public Radio and been performed by "The President's Own" United States Marine Band. Her scholarly work includes a critical edition of Aaron Copland's El Salón México for wind ensemble and related publications in the WASBE Journal. Svanoe is an ASCAP member and publishes through Alfred Music, Schirmer on Demand, and Swan Maiden Press.

Why we love this

This is the piece that won the NBA's Young Band Composition Contest for good reason: Svanoe balances genuine musical sophistication with the accessibility that Grade 3 bands need. The theremin concept sounds gimmicky on paper but lands as genuinely unsettling and atmospheric because the orchestration supports it completely. Your students will remember this arrangement long after Halloween ends.

What to expect

Eerie and immersive, with the quality of an old horror film score reimagined for live ensemble. The music conjures circling motion and unsettling calm rather than overt scariness, giving students a sophisticated model for how concert music can evoke mood without melodrama.

Who it's for

Grade 3 concert bands with solid rhythmic fundamentals and the ability to execute clean dynamics across the full ensemble. Directors seeking a contemporary piece with genuine artistic merit that also engages audiences and fits autumn programming. Bands interested in exploring electronic sound integration in a practical, flexible way.

How to get the most out of it

  • Treat the theremin part as a character in the ensemble, not as background. Even though the iPad part is optional, its presence changes the entire psychological effect. If you perform it, invest in amplification that lets the sound float above the band without overwhelming it.
  • Lock the rhythm section early. The piece's eerie quality depends on steady pulse and clean rhythmic precision from percussion and low brass; any rushing or dragging breaks the spell.
  • Bring out the melodic doublings in your horn and clarinet sections. The theremin may carry the primary unsettling line, but the band instruments need to support and reinforce it so the music feels cohesive rather than layered.
  • Balance dynamic control with character. Grade 3 bands often default to either too much volume or too little air. This piece needs genuine soft playing with focus, and bright moments that contrast without losing the darker mood.

How to use it

Use this as the centerpiece of a fall or Halloween concert, programming it alongside lighter fare to create dramatic contrast. It also works well in a contemporary music showcase or as a feature for a young band festival, where judges and audiences will recognize its compositional integrity.

Skills your students will build

  • Sustaining soft, controlled dynamics across extended passages
  • Rhythmic precision in unison and ensemble contexts
  • Balance and blend when supporting electronic or synthesized sound
  • Interpretation of atmospheric and mood-driven musical writing
  • Focus and ensemble awareness in pieces that rely on color over traditional melody

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