The Hanging Tree Sheet Music Preview

The Hanging Tree: String Orchestra Conductor Score & Parts

As performed by James Newton Howard / As performed by Jennifer Lawrence / Arranged by Larry Moore

Grade: 3-4

Item: 35-PK00339216

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Description
This haunting melody from "The Hunger Games: Mockingjay Part 1" was recorded by film score composer James Newton Howard and features actress Jennifer Lawrence singing it in the movie. Dur: 1:55

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00339216

More about this title

About the Artist: James Newton Howard

James Newton Howard has established himself as one of film's most versatile composers, with a career spanning blockbuster franchises, intimate dramas, and animated features. His work on The Hunger Games series demonstrates his skill at crafting memorable themes that anchor narratives while remaining musically substantial enough to stand on their own in concert settings.

Why we love this

This arrangement captures the unsettling beauty of the original without requiring a vocalist, letting your strings carry the full emotional weight. The Grade 3-4 scoring makes it accessible for developing orchestras while preserving the cinematic tension that makes the piece resonate with audiences.

What to expect

A funeral march wrapped in folk song simplicity. The melody unfolds with a quiet inevitability, sustained by understated accompaniment that suggests dread more than declares it. This is contemporary film scoring at its most purposeful; every note serves the mood.

Who it's for

String orchestras at the intermediate level who want meaningful repertoire beyond standard pedagogical material. Directors seeking a piece that engages student musicians while offering genuine artistic rewards will find this especially valuable.

How to get the most out of it

  • Treat the opening phrases with restraint; the power comes from transparency rather than volume. Let the sparse texture breathe so listeners feel the isolation of the melody.
  • Balance the divisi passages carefully so secondary voices support rather than compete. Uneven doublings will muddy the haunting quality.
  • Shape longer phrases by thinking beyond individual measures. The arch of the melody should feel inevitable, not episodic.

How to use it

Use this as the centerpiece of a concert exploring narrative and music, pairing it alongside other film or literary inspired works. Its compact length (1:55) makes it ideal for opening a program on a darker note or creating a poignant transition between contrasting pieces.

Skills your students will build

  • Sustaining phrases across multiple measures without rhythmic fragmentation
  • Balance and blend in divisi writing
  • Melodic phrasing with minimal harmonic support
  • Ensemble cohesion at soft dynamic levels

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