The Greatest Showman (Choral Highlights) (arr. Ed Lojeski): Choral Instrumental Pak
As performed by Pasek Paul / Arranged by Ed Lojeski
Item: 35-PK00436392
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About the Artist: Pasek Paul
Benj Pasek and Justin Paul are the songwriting team behind some of the most performed contemporary musical theater works in schools and professional venues. Their compositions for The Greatest Showman became a cultural phenomenon, proving that modern songwriting can achieve both commercial success and artistic depth. Their approach to melody and lyrical storytelling has made their work especially accessible to student performers while maintaining sophisticated harmonic language.
Why we love this
Ed Lojeski's medley captures the emotional arc of the film while remaining genuinely singable for high school and college choirs. The arrangement balances the contemporary pop sensibility of the source material with choral writing that rewards careful attention to blend and phrasing. Programming this medley taps into repertoire your students already know and love, making it a powerful tool for building engagement in your rehearsals.
What to expect
This medley radiates theatrical grandeur and intimate sincerity in equal measure. The opening builds with the swagger of a circus ringmaster, then strips down to expose the vulnerability of personal dreams and self-acceptance. Throughout, the music feels both modern and timeless.
Who it's for
High school and college choirs with access to instrumental accompaniment, particularly ensembles looking to program contemporary popular music without sacrificing musical substance. Smaller programs can also use this medley by selecting individual songs from the collection rather than performing the entire arrangement.
How to get the most out of it
- Pay attention to the dynamic shape within each song segment. The medley's effectiveness depends on treating each section as having its own dramatic journey, not rushing through the transitions.
- Experiment with the balance between your rhythm section and vocal lines. The pop origins of these songs call for locked coordination with the band parts, but the choir should never feel buried.
- Consider how your soloists will handle the moments that feel most vulnerable in the original film. 'This Is Me' especially needs singers who commit to the emotional content, not just the notes.
- Work the middle voices early in your rehearsal process. Pasek and Paul's harmonies often carry meaningful counter-melodies that ground the overall sound.
How to use it
This works beautifully as a complete act finale or standalone concert feature that resonates with your audience's existing familiarity with the film. You might also pair it strategically with a spring concert that embraces contemporary musical theater, or use it as a musical interlude for a school talent show or assembly program.
Skills your students will build
- Balancing lyrical phrasing with rhythmic precision in pop-influenced arrangements
- Managing dynamic contrast across a multi-section medley structure
- Coordinating with instrumental accompaniment while maintaining vocal independence
- Interpreting contemporary songwriting within a choral context
- Sustaining emotional authenticity through theatrical performance