The Greatest Show Sheet Music Preview

The Greatest Show: SSA, a cappella Choral Octavo

from The Greatest Showman

Words and music by Ryan Lewis, Justin Paul, and Benj Pasek / arr. Bryan Sharpe

Item: 00-PO-0006469

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Description
Presenting the dramatic opener from the blockbuster film The Greatest Showman in 3-part mixed/SAB and SSA arrangements for contemporary a cappella groups! Yes, even developing choirs can get in on the act with this powerhouse that is equally impressive and accessible. Surging energy grabs you right from the start and takes you to dizzying heights by the sing-your-heart-out chorus. Includes body percussion for the entire group, plus online access to a notated vocal percussion part.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0006469

More about this title

About the Composer: Ryan Lewis

Ryan Lewis has built a distinctive voice in contemporary film composition by blending theatrical grandeur with intimate emotional storytelling. His work on The Greatest Showman showcases his skill at crafting music that functions both as spectacle and as deeply personal expression, making his scores natural fits for choral adaptation.

Why we love this

Bryan Sharpe's arrangement captures the unrelenting momentum of the original without sacrificing singability for three voices. The inclusion of body percussion transforms a film moment into a full-bodied choral event, giving every singer a percussive role while the optional vocal percussion part lets you add sophistication if your ensemble is ready for it.

What to expect

Propulsive and triumphant from the downbeat, with a kinetic energy that pulls singers and audiences forward together. The arc builds toward an emotional peak where voices and percussion create a unified, almost orchestral fullness that feels far bigger than sixteen singers.

Who it's for

Developing SSA choirs that want contemporary material with theatrical impact without overextending their technical reach. Groups eager to perform music that feels current and accessible while still delivering a memorable moment on stage will find real satisfaction in this arrangement.

How to get the most out of it

  • Build the energy deliberately from the opening; resist the urge to start at full volume. The "dizzying heights" the arranger describes arrive most powerfully when you establish a clear dynamic arc from the start.
  • Anchor the body percussion patterns early in rehearsal so they become second nature. This frees singers to focus on blend and intonation rather than counting unfamiliar rhythmic patterns.
  • Balance the SSA voicing by listening for the middle voice; the alto line often carries harmonic weight that gets buried if sopranos dominate. A slight emphasis on the alto section clarifies the progression.
  • If you add the vocal percussion part, rehearse it separately with a smaller group first, then layer it in during full sectionals so the texture builds with intention.

How to use it

Consider pairing this with lighter pop fare or placing it as a statement piece that pivots your program toward contemporary repertoire. Spring concerts and end-of-year festivals benefit from its theatrical flair; it also works well as a confidence builder mid-year when choirs need a morale boost before tackling more complex material.

Skills your students will build

  • Reading and executing body percussion patterns while singing
  • Sustaining energy and momentum across a longer phrase structure
  • Balancing three-part voicing with clear harmonic function
  • Interpreting contemporary musical style and theatrical expression
  • Coordinating group dynamics in rhythmically syncopated passages

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