The Great Locomotive Chase Cover Image

The Great Locomotive Chase: Concert Band Conductor Score

$12.00 USD
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The Great Locomotive Chase Cover Image

The Great Locomotive Chase: Concert Band Conductor Score

By Robert W. Smith

Grade: 2 (Easy)

Item: 00-BDM00030C

$12.00
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Description
Inspired by the events surrounding the railway between Atlanta and Chattanooga during the early years of the Civil War, Robert W. Smith stages the train chase complete with fascinating textures and effects. Listeners become engulfed in the vivid sounds. You can almost smell the smoke. This is an exciting original concert opener or closer. All aboard! This title is available in MakeMusic Cloud.

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 36
UPC: 654979184669
SKU: 00-BDM00030C

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as a leading voice in American concert band and orchestral composition, with over 400 published works spanning concert band, orchestra, and developing ensembles. He holds degrees from Troy State University and the University of Miami, and his works have been performed worldwide across North America, Europe, Australia, and Asia.

Beyond the concert hall, Smith's music has reached audiences through major television broadcasts, presidential ceremonies, Olympic Games coverage, and iconic events from the Macy's Thanksgiving Day Parade to Opening Day at Dodger Stadium. As both a conductor and clinician, he has worked extensively across the United States, Canada, Japan, Australia, and Europe, bringing his distinctive compositional voice to musicians at all levels.

Why we love this

This piece captures the visceral energy of a historical moment without requiring advanced technical facility, making it ideal for Grade 2 bands eager to play something with real dramatic weight. Smith's orchestration creates vivid programmatic effects that engage both players and audiences, transforming a straightforward railway narrative into a concert experience that feels cinematic and immersive. The combination of accessibility and genuine musical sophistication means your students play at their level while delivering something genuinely exciting.

What to expect

The piece envelops listeners in the sights and sounds of a 19th-century railway in motion: the rhythmic pulse of the locomotive, the urgency of pursuit, and the sensory immediacy of smoke and steam. Smith's writing creates textures that feel almost cinematic, with instrumental colors painting the scene as vividly as any visual backdrop could.

Who it's for

Grade 2 concert bands seeking a programmatic opener or closer with real theatrical appeal and manageable technical demands. Directors who want their students to experience how orchestration and narrative storytelling work in concert band literature.

How to get the most out of it

  • Build the dynamic tension gradually through the first section; resist the temptation to play everything loud at once. The chase gains its power from contrast and escalation.
  • Use the accompaniment recording to lock in the rhythmic pulse of the locomotive motion. This steady foundation lets your ensemble focus on clarity of articulation in the upper voices.
  • Balance the textural layers so listeners can hear the different instrumental groups depicting various elements of the scene. Woodwind clarity and brass presence should work together, not compete.
  • Attend to the tempo fluctuations that mark shifts in the narrative. Clear conducting will help your band understand when to push forward and when to pull back for dramatic effect.

How to use it

This works exceptionally well as a concert opener, where its energetic momentum and programmatic clarity set an engaging tone for the evening. It also serves as a powerful closer when you want to leave audiences with excitement and motion rather than introspection. The historical subject matter pairs well with educational concert themes centered on American music or cultural history.

Skills your students will build

  • Executing syncopated rhythms and rhythmic figures in multiple voices simultaneously
  • Reading and responding to changing tempos and tempo markings that serve the narrative
  • Balancing independent melodic and rhythmic lines within a multi-layered texture
  • Coordinating articulation styles across the full ensemble to create unified musical effect
  • Connecting programmatic intent to musical choices in phrasing, dynamics, and ensemble balance

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