The Great Gate of Kiev  Cover Image

The Great Gate of Kiev: Concert Band Conductor Score & Parts

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The Great Gate of Kiev  Cover Image

The Great Gate of Kiev: Concert Band Conductor Score & Parts

From Pictures at an Exhibition

By Modest Mussorgsky / arr. Mike Story

Grade: 1 (Very Easy)

Item: 00-BD01018

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Description
This famous work, the finale from Mussorgsky's Pictures at an Exhibition, has gone from the keyboard medium to an orchestral version arranged by Ravel, and now to a very easy concert band arrangement by Mike Story. The power and drama is all here in an easy-play form. This is a great program closer!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Great Gate of Kiev: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 100
UPC: 029156044751
SKU: 00-BD01018

More about this title

About the Composer: Modest Mussorgsky

Modest Mussorgsky (1839, 1881) was a Russian composer who fundamentally challenged what concert music could express. Working as a civil servant rather than a full-time musician, he composed during stolen moments, yet created works of stunning originality that captured Russian folk idioms, historical drama, and vivid orchestral color with unprecedented directness.

Pictures at an Exhibition stands as his masterpiece: a suite of solo piano pieces written in 1874 that depict artworks in a gallery, connected by recurring "Promenade" themes representing a visitor walking through the exhibition. The finale, "The Great Gate of Kiev," transforms into something monumental and processional, embodying the grandeur of imperial Russia. Its power proved so portable that it has thrived in orchestral, band, and countless other arrangements, proving that Mussorgsky's core vision transcends any single instrumental medium.

Why we love this

Mike Story's Grade 1 arrangement succeeds because it refuses to diminish the work's essential character for the sake of simplicity. The piece retains its ceremonial weight and processional grandeur while making it genuinely playable for young ensembles. Beginning band students get to perform a genuine masterwork that audiences recognize and respect, not a watered-down version that feels like training wheels.

What to expect

Processional and stately, with waves of harmonic richness building toward a monumental climax. The piece carries a sense of historical grandeur and inevitability, as if a great procession is moving through a magnificent gateway, growing more powerful with each step forward.

Who it's for

Beginning and early intermediate concert bands looking for a legitimate concert closer that won't require weeks of rehearsal. Directors running festival or contest programs benefit from an arrangement that sounds substantive and gains audience recognition immediately.

How to get the most out of it

  • Think processional throughout. This is music for a grand entrance or ceremonial march, so shape the phrasing with deliberate, majestic weight rather than rushing toward the next phrase.
  • Balance the tutti sections carefully so that the full band sound reads as unified rather than chaotic. Conduct with clear, sustained gestures that invite the ensemble to lock together.
  • Emphasize the recurring Promenade theme each time it appears. Students will recognize the connection to earlier moments and develop awareness of musical architecture across the arrangement.
  • Allow breathing room in the climactic final measures. Resistance in the ensemble is natural at this dynamic level; acknowledge that and build intensity through confidence rather than frantic tempo.

How to use it

Save this for your final selection of the evening, whether at a concert, festival, or assessment. Pairing it with lighter or chamber-scaled works earlier in the program makes the shift to this grand finale feel earned and impactful. It works equally well as a competition selection for groups seeking to impress adjudicators with musical maturity without sacrificing technical accessibility.

Skills your students will build

  • Sustaining tone quality across a full dynamic arc from mezzo-forte to fortissimo
  • Executing clear, deliberate phrasing in a processional style
  • Balancing multiple instrumental voices in thick tutti textures
  • Recognizing and executing recurring motifs and formal structure
  • Responding to large-scale conducting gestures in ensemble settings

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