The Great American Frontier Cover Image

The Great American Frontier: Concert Band Conductor Score

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The Great American Frontier Cover Image

The Great American Frontier: Concert Band Conductor Score

By Erik Morales

Grade: 2.5

Item: 98-B1230S

$15.00
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Description
Experience the sounds of the American West like you've never heard them before! Inspired by music from the great cowboy movies of the late 1960s, this powerful composition uses a large battery of percussion to bring this important part of Americana right into your own concert hall. A lush middle section uses beautiful scoring and haunting melodies before the piece returns to a new treatment of the opening material, building toward a powerful conclusion. Great music for young bands!

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444473160
SKU: 98-B1230S

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales has built a prolific composing career spanning classical, jazz, and commercial music with over 150 published works performed worldwide. Born in New York City in 1966, he began arranging for his high school marching band in south Florida (1985) and has since become a sought-after composer for wind ensembles, orchestras, and chamber groups, with regular commissions from schools and organizations across the country.

A trumpet specialist, Morales has made substantial contributions to the solo trumpet literature; his trumpet ensembles won first place at the National Trumpet Competitions in 2006 and 2008, and his Concerto for Trumpet in C and Piano premiered at the 2009 ITG conference. He studied composition at Florida International University and earned his bachelor's degree from the University of Louisiana, Lafayette in 1989. His work consistently balances artistic integrity with educational value, and in 2016 he was inducted into the Louisiana Association for Jazz Education's Hall of Fame.

Why we love this

Morales captures the drama of the American West without resorting to tired clichés. The percussion writing is genuinely inventive and gives your entire section something exciting to do, while the lyrical middle section provides the expressive contrast that makes young musicians care about phrasing and balance.

What to expect

Wide-open spaces and cinematic sweep. The percussion paints the landscape while soaring melodies capture the romance of the frontier myth, then the music pulls back to reveal something more reflective before building to a climactic return.

Who it's for

Grade 2.5 bands ready to tackle music with authentic character and orchestration. This works for groups that have solid fundamentals but still need engaging repertoire that rewards careful listening and ensemble awareness.

How to get the most out of it

  • Balance the percussion battery carefully in rehearsal. These instruments carry the narrative weight of the piece, so isolate them first to establish their rhythmic cohesion before layering in the wind parts.
  • Shape the melodic line through the lush middle section with longer breath phrases. Young bands often rush beauty; give them permission to stretch the tempo slightly and let the harmonies breathe.
  • The return to opening material signals new energy, not exact repetition. Encourage the ensemble to approach this section with renewed intensity and slightly different articulation than the first statement.

How to use it

Use this as a festival or contest entry that stands apart from typical patriotic selections. It also pairs well in a concert exploring American musical regionalism, or as a standalone showpiece that gives your young band a chance to play something with genuine dramatic arc.

Skills your students will build

  • Listening to and balancing multiple rhythmic layers within a single ensemble
  • Shaping long melodic phrases with consistent breath control
  • Interpreting contrasts between energetic and lyrical sections
  • Coordinate with percussion while maintaining tempo stability

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