The Golden Ear Pasodoble (La Oreja de Oro) Cover Image

The Golden Ear Pasodoble (La Oreja de Oro): Concert Band Conductor Score & Parts

$65.00 USD
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The Golden Ear Pasodoble (La Oreja de Oro) Cover Image

The Golden Ear Pasodoble (La Oreja de Oro): Concert Band Conductor Score & Parts

By Mariano San Miguel / arr. Frederick Fennell

Grade: 3

Item: 36-10100220

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Description
Part march, part Spanish popular music, part reflective solo trumpet cadenza, this is a lively and exciting work that will work as a welcome change of pace for any concert program. The editing is explicit with supreme care taken by Dr. Fennell.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Golden Ear Pasodoble (La Oreja de Oro): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Fennell Editions - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 746241231550
SKU: 36-10100220
Instrumentation: Concert Band

More about this title

About the Composer: Mariano San Miguel

Mariano San Miguel composed works that captured the spirit of Spanish popular music and dance forms, bringing accessible yet musically substantial material to concert band repertoire. His compositions reflect a gift for melody and rhythmic vitality, qualities that made his work attractive to arrangers and conductors seeking repertoire with genuine character.

Why we love this

Fennell's editing transforms this pasodoble into a polished, performance-ready score that respects the composer's voice while ensuring absolute clarity for student musicians. The piece delivers genuine musical interest without sacrificing accessibility, and that trumpet cadenza gives your solo player a moment to shine without asking for advanced technical prowess.

What to expect

A brisk, colorful journey that shifts between the forward momentum of a march and moments of introspection, anchored by a lyrical trumpet voice. The Spanish pasodoble idiom gives it an unmistakable character, bright and engaging without ever becoming frivolous.

Who it's for

Grade 3 bands ready to program something with genuine personality and cultural flavor. This works equally well for concert festivals, community performances, or as a morale-boosting change of pace in a season of standard march repertoire.

How to get the most out of it

  • Shape the march sections with clear articulation in the inner voices; they carry the harmonic rhythm and need definition to prevent the band from sounding muddy.
  • Balance the trumpet solo against soft accompaniment so the melody remains the focal point during the cadenza passage.
  • Attack the Spanish rhythmic figures with rhythmic precision rather than looseness; this idiom depends on crisp ensemble attacks for its character.
  • Use the tempo marking as a baseline, but allow the piece to breathe during the cadenza and reflect sections; slight flexibility here serves the music.

How to use it

Slot this into the lighter half of a concert program where it can provide contrast to heavier or more formal selections. Its moderate difficulty and audience appeal make it ideal for a mid-program energy lift, or it can anchor a thematic set highlighting international musical traditions.

Skills your students will build

  • Performing in Spanish dance rhythms with proper articulation and style
  • Balancing foreground melodic material against supporting harmonies
  • Responding to expressive conducting in both marchlike and lyrical sections
  • Accompanying a featured solo instrument with appropriate dynamic control

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