The Glory Of Love Sheet Music Preview

The Glory Of Love: SAB Choral Octavo

As performed by Peggy Lee / As performed by Billy Hill / As performed by Count Basie / As performed by The Platters / As performed by Jimmy Durante / Arranged by Jay Rouse

Item: 35-DS00303256

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00303256

More about this title

About the Artist: Peggy Lee

Peggy Lee was a vocalist and songwriter whose career spanned from the 1940s through the 1980s, earning her recognition as one of the most influential female singers in American popular music. Her distinctive contralto voice and sophisticated phrasing made her a fixture in jazz, pop, and standards repertoire, and her interpretations of classic songs set the standard for generations of singers.

Why we love this

Jay Rouse's SAB setting captures the elegance of this standard while keeping the voicing accessible for mixed ensembles. The arrangement respects the song's lyrical warmth without overcomplicating it, giving your singers room to shape the phrases and deliver genuine expression. It's the kind of repertoire that reminds audiences why the American songbook endures.

What to expect

Warm and intimate, with the kind of unhurried elegance that defined mid-century American popular song. The arrangement invites singers to inhabit the emotional landscape of the lyric rather than merely displaying technique.

Who it's for

Mixed choirs seeking accessible yet sophisticated popular standards and jazz repertoire. The SAB voicing works well for developing ensembles or those with limited tenor sections.

How to get the most out of it

  • Balance the melody so it sings forward without the supporting voices receding into mere accompaniment; these three parts deserve equal voice and presence.
  • Shape the dynamics through text rather than tempo shifts. Let the lyrics guide your phrasing so phrases breathe naturally.
  • Attend to vowel consistency across the sections, especially in sustained passages where blend becomes immediately apparent.

How to use it

Pair this with other standards or swing repertoire for a "Great American Songbook" concert, or use it as a palate cleanser between heavier choral works. It also fits beautifully into pops concerts or spring programs celebrating song traditions.

Skills your students will build

  • Shaping jazz phrasing and swing articulation within classical choral technique
  • Balancing chord voices in popular music voicings (SAB with functional harmony)
  • Interpreting lyrical content through dynamic and timbral choices rather than tempo manipulation
  • Reading in popular song style notation and performance conventions

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