The Girl I Mean To Be Sheet Music Preview

The Girl I Mean To Be: Piano Vocal

As performed by Marsha Norman

Item: 35-DS00278321

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00278321

More about this title

About the Artist: Marsha Norman

Marsha Norman is a Pulitzer Prize winning playwright whose work spans theater, film, and musical theater. Her writing for young audiences combines emotional intelligence with accessible language, creating stories that resonate across age groups. Norman's contributions to children's musical theater have established her as a significant voice in contemporary theatrical composition.

Why we love this

This song captures a moment of self-discovery with the directness that middle and upper elementary students need to sing meaningfully. The vocal line sits comfortably for young singers while the piano part provides gentle support that doesn't overwhelm, making it ideal for concert programs where you want emotional authenticity rather than technical flash.

What to expect

A quiet moment of confidence building, where a young person reflects on who she wants to become. The music has an intimate quality that invites the listener into a private moment of clarity and resolve.

Who it's for

Young singers in upper elementary through middle school who are ready to tackle introspective material with real emotional stakes. This works equally well in voice lessons, choir settings, or as a solo showcase piece for students developing their interpretive skills.

How to get the most out of it

  • Pay attention to the lyrical phrasing in the vocal line; let the words shape your breath placement rather than fighting against the text.
  • Balance the piano accompaniment so it supports rather than competes with the voice, particularly during the most vulnerable moments of the song.
  • Explore the character's journey throughout the piece; this isn't a static emotion but a growing realization that benefits from subtle dynamic shaping.

How to use it

Pair this with other affirming solo repertoire to create a thematic program celebrating self-perception and growth, or use it as the centerpiece of a concert section devoted to contemporary writing for young voices. The three-page length makes it manageable as either a featured solo or part of a larger suite.

Skills your students will build

  • Sustaining legato phrasing across longer phrases
  • Communicating character and intention through text interpretation
  • Responding to piano accompaniment while maintaining vocal independence
  • Managing dynamic nuance in intimate musical settings

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