The Gift Of Dreams To Dream Sheet Music Preview

The Gift Of Dreams To Dream: SATB Choral Octavo

By Ronald W. Cadmus and Robert S. Cohen / By Robert S. Cohen

Item: 35-DS00504024

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00504024

More about this title

Why we love this

The collaboration between Cadmus and Cohen produces music that sits comfortably in the concert repertoire without demanding excessive rehearsal time. This piece balances accessibility with genuine harmonic interest, giving your singers material that feels worthwhile to learn.

What to expect

Accessible yet earnest. The piece unfolds with clarity and warmth, inviting singers to engage with its message about aspiration and imagination. The SATB writing feels natural in the voice, never awkward or overly contrapuntal.

Who it's for

This octavo serves choirs seeking concert material with immediate appeal and manageable technical demands. It works equally well for community ensembles, high school choirs, and college groups looking for a piece that rehearses efficiently.

How to get the most out of it

  • Establish the text as your foundation. The lyrical content about dreams carries the emotional weight, so encourage singers to inhabit the meaning rather than simply execute the notes.
  • Balance the SATB texture by listening for whether any single voice overwhelms the others. This octavo likely benefits from blended, unified tone across all sections.
  • Pay attention to phrase endings. Determine where natural breath points occur and whether the composers intend them to be connected or separated.

How to use it

Place this on a concert where it can anchor a thematic set about human hope or personal growth. Its moderate length and straightforward demands make it an excellent program choice when you need a confident, polished offering without extensive rehearsal overhead.

Skills your students will build

  • SATB blend and balance in four-part chorale settings
  • Text interpretation and emotional communication in secular concert repertoire
  • Phrase shaping and breath placement in flowing vocal lines

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