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The Giant Book of Broadway Sheet Music: Piano Book

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The Giant Book of Broadway Sheet Music Cover Image

The Giant Book of Broadway Sheet Music: Piano Book

Arranged by Dan Coates

Level: Easy Piano

Item: 00-42866

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Description
Play the hits from your favorite musicals with this collection of Broadway's best! Fans of show tunes will enjoy hours of entertainment performing selections from the 1920s to today. Dan Coates' arrangements capture the essence of the original scores in fun, easy piano renditions that are great for solo performance or sing-alongs.Titles: And All That Jazz (Chicago) * Any Way You Want It (Rock of Ages) * Anything Goes (Anything Goes) * Aquarius (Hair) * Born in Laredo (Hands on a Hardbody) * Dancing Queen (Mamma Mia!) * Diamonds Are a Girl's Best Friend (Gentlemen Prefer Blondes) * Don't Rain on My Parade (Funny Girl) * Don't Stop Believin' (Rock of Ages) * Falling Slowly (Once) * Fascinating Rhythm (Lady Be Good) * Fly, Fly Away (Catch Me If You Can) * From This Moment On (Out of This World) * Give My Regards to Broadway (Little Johnny Jones) * Good Morning (Singin' in the Rain) * Goodbye (Catch Me If You Can) * Heart (Damn Yankees) * Hopelessly Devoted to You (Grease) * How Could I Ever Know? (The Secret Garden) * I Believe (The Book of Mormon) * I Could Have Danced All Night (My Fair Lady) * I Guess I'll Miss the Man (Pippin) * I Have a Dream (Mamma Mia!) * I Won't Grow Up (Peter Pan) * If I Had This Truck (Hands on a Hardbody) * Magic to Do (Pippin) * Mama Who Bore Me (Spring Awakening) * New York, New York (On the Town) * Nice Work If You Can Get It (Nice Work If You Can Get It) * Not My Father's Son (Kinky Boots) * Ragtime (Ragtime) * Raise You Up/Just Be (Kinky Boots) * Red Shoes Blues (The Wizard of Oz) * Someone to Watch Over Me (Nice Work If You Can Get It) * Suddenly, Seymour (Little Shop of Horrors) * Summertime (Porgy and Bess) * Superboy and the Invisible Girl (Next to Normal) * There's a Fine, Fine Line (Avenue Q) * Together Wherever We Go (Gypsy) * The Trolley Song (Meet Me in St. Louis) * Wake Me Up When September Ends (American Idiot) * You and Me (But Mostly Me) (The Book of Mormon).

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Additional Details
Series: The Giant Book of Sheet Music
Publisher: Alfred Music
Page Count: 196
ISBN10: 1-4706-1662-9
ISBN13: 978-1-4706-1662-5
UPC: 038081486352
SKU: 00-42866

More about this title

About the Arranger: Dan Coates

Dan Coates

Dan Coates has built his career translating popular music into accessible piano arrangements since 1976. Working from film scores to Broadway standards to contemporary pop hits, he has earned the confidence of major composers and artists including John Williams, Burt Bacharach, and Elton John, all of whom value his ability to preserve the character and energy of original compositions while making them playable across skill levels.

Beyond arrangements, Coates composes original music designed specifically for student pianists. His work has shaped piano education for decades; as one of Alfred Music's most published arrangers, his compositions and adaptations have sold over 4.4 million copies worldwide.

Why we love this

This collection gives piano students and adult learners immediate access to music they actually want to play. Coates' arrangements honor the character of each show tune while keeping the technical demands manageable, so performers can focus on expression and style rather than wrestling with the page.

What to expect

Stepping into a Broadway theater lobby with your hands on the keys. These arrangements capture the joy and momentum of the original shows, delivering the theatrical energy audiences recognize while remaining playable in a practice room or living room setting.

Who it's for

Adult amateur pianists and intermediate students seeking repertoire that feels rewarding to perform immediately. Singers preparing for auditions or informal performances will also find reliable piano accompaniments here.

How to get the most out of it

  • Sing the melody aloud while you play to internalize phrasing and articulation; Broadway writing is vocal writing first, and your fingers will follow your voice naturally.
  • Pedal conservatively in the left hand accompaniment patterns to avoid muddying the texture; these melodies thrive in clarity.
  • Reference recordings of the original productions when available; knowing the orchestral color and energy will inform your tempo and dynamic choices in ways sheet music alone cannot.
  • Practice the chord progressions separately from the melody line to build security in the accompaniment, then integrate them slowly.

How to use it

Build a solo recital around selections from different eras and shows, programming them as a medley or as standalone pieces between classical works for variety. These arrangements also work beautifully in adult community music programs, casual house concerts, or sing-alongs where ensemble participation is part of the experience.

Skills your students will build

  • Playing syncopated rhythms and jazz-influenced accompaniment patterns
  • Balancing melody and accompaniment voices across the grand staff
  • Interpreting stylistic phrasing specific to musical theater idiom
  • Sight-reading a broad range of harmonic progressions and chord voicings
  • Performing with expression and theatrical character at the keyboard

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