The Ghost of Lady Howard: 3rd Violin (Viola [TC]) Sheet Music Preview

The Ghost of Lady Howard: 3rd Violin (Viola [TC])

Traditional English / arr. Morgan Denney

Grade: 3

Item: 00-PC-0019263_VN3

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Description
This haunting arrangement of the ghostly English folk song My Lady's Coach weaves together elements of suspense, tension, and mystery. Arranger Morgan Denney uses layered effects, including harmonics, sul ponticello, tremolo, and glissando, to tell the story of Lady Mary Howard's spirit, doomed to travel in her phantom carriage for eternity. Eerie and compelling, The Ghost of Lady Howard is ideal for fall concerts or any time of year! (3:20)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Ghost of Lady Howard: 3rd Violin (Viola [TC]) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: MakeMusic Symphony Strings
Publisher: MakeMusic Publications
SKU: 00-PC-0019263_VN3

More about this title

About the Arranger: Morgan Denney

Morgan Denney

Morgan Denney composes and arranges across film, theater, dance, education, and concert music, drawing particular strength from textural experimentation and psychological depth. The Musical Times recognized her gift for channeling raw energy through vivid soundscapes without sacrificing lyrical sensitivity. Her work appears on the Texas UIL Prescribed Music List, JW Pepper's Editors' Choice selections, and the Midwest Clinic roster.

Denney earned her Master's in music composition from the University of Miami and Bachelor's from the University of Colorado-Boulder. Based in South Florida, she maintains an active practice as a freelance violinist and serves as a Production Editor for Alfred Music.

Why we love this

This arrangement transforms a traditional English folk melody into a theatrical storytelling vehicle without losing its essential character. The strategic use of extended techniques (harmonics, sul ponticello, tremolo, glissando) creates genuine atmosphere rather than mere effect, making this engaging enough for both players and audiences. It's substantial enough to anchor a fall concert program and distinctive enough that listeners will remember it.

What to expect

Eerie and deliberately unsettling, with moments of gothic elegance woven through the tension. The arrangement draws you into Lady Howard's eternal journey through careful layering of sound and deliberate silences, creating an atmosphere that feels both delicate and deeply unsettling. This is not decorative spookiness; it's genuinely haunting.

Who it's for

String orchestras at the Grade 3 level seeking repertoire with genuine artistic substance and a strong narrative hook. Directors programming thematic concerts (fall programming, spooky events, storytelling showcases) will find this piece both accessible and memorable for young players building facility with contemporary extended techniques.

How to get the most out of it

  • Balance the layered effects so harmonics and sul ponticello passages remain audible without overwhelming the melodic line; these textures create mood, not chaos.
  • Shape the glissandos deliberately and with control; sloppy slides undermine the supernatural quality Denney is building.
  • Let the tremolo sections breathe with dynamic shape; sustained tremolo that remains flat in volume flattens the dramatic arc.
  • Rehearse transitions between extended techniques carefully since players may be less familiar with this palette at Grade 3; clarity in communication prevents frustration.

How to use it

Open a fall concert with this piece to establish a distinctive artistic tone, or place it strategically to provide contrast within a mixed program. The 3:20 runtime and single-movement structure make it ideal for festival submissions or as a centerpiece of a thematic chamber concert exploring storytelling in instrumental music.

Skills your students will build

  • Extended techniques including harmonics, sul ponticello, tremolo, and glissando
  • Ensemble balance and blend across layered, textural passages
  • Dynamic shape and control in sustained, tremolo-based sections
  • Interpreting narrative and mood through instrumental color rather than traditional melodic development

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