The General's Order Cover Image

The General's Order: String Orchestra, Full Score

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The General's Order Cover Image

The General's Order: String Orchestra, Full Score

By Albert Wang

Grade: 2

Item: 36-50255035

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Description
The original Chinese tune known as The General's Order was used in the Hong Kong martial arts film Once Upon a Time in China. Albert Wang has skillfully creating excited music that will also provide educational opportunities that explore the use of double stops (in the open position) and the use of dissonance.

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134796-8
ISBN13: 978-1-57-134796-1
UPC: 660355083464
SKU: 36-50255035
Instrumentation: String Orchestra

More about this title

Why we love this

Wang's adaptation captures the swagger and energy of the original while embedding genuine pedagogical challenge. At Grade 2, it gives developing orchestras a chance to tackle double stops and dissonance in a context that actually demands they listen and balance, not just as an exercise but as part of making the music work.

What to expect

Martial, propulsive, and sharper-edged than typical Grade 2 string repertoire. The dissonance creates an athletic tension that pulls the music forward, evoking the action film source while keeping the energy focused and controlled.

Who it's for

String orchestra directors working with intermediate ensembles who want to introduce double stops and chromatic tension without stepping up to Grade 3 difficulty. Students in grades 4-7 will play this with conviction and learn something real about contemporary string writing.

How to get the most out of it

  • Tune the double stops carefully in open position. Even small intonation misses will expose the dissonance intended by the composer, so spend rehearsal time on vertical precision before worrying about tempo.
  • Use the dissonance deliberately. These moments should sound intentional and controlled, not accidental. Ask students to listen across the section and adjust together.
  • Maintain rhythmic clarity through the excited passages. The energy comes from precise coordination, not from rushing.

How to use it

This works as a contest or festival piece where judges will recognize the pedagogical intent alongside the entertainment value. It also pairs well on concert programs where you want to show your orchestra's growth beyond lyrical or folk-based selections.

Skills your students will build

  • Double stops in open position
  • Reading and playing with dissonance
  • Intonation adjustments for chromatic harmony
  • Rhythmic precision under tempo
  • Balance and blend across double-stop voicings

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