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The General Method: Book

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The General Method: Book

A New Methodology for a Tighter Big Band

By Mats Holmquist

Level: Intermediate / Advanced

Item: 24-TGM

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Have the tightest Big Band imaginable! With over 30 years of experience as a Big Band leader and clinician, Mats Holmquist has produced a unique and definitive method on Big Band rehearsal and performance for both players and directors that includes a new language with around 350 terms and definitions. When everyone understands the simple and universal rules for accents, timing, dynamics, and lead playing, those rules can be applied to every chart---thereby minimizing the amount of time needed to rehearse each chart individually and creating a performance that is flawless and tight! Also explained in depth are tips and techniques for setting up, making good sounding recordings (studio and live), dealing with subs, dealing with travel considerations, choosing the right set list, dealing with various personalities in the band, choosing and blending the right personnel, working with members individually and as a group, overcoming instrumental technical problems and issues, playing together in sections and as a whole, an instrument-by-instrument breakdown of the responsibilities of the rhythm section, and much more! If you buy one book on Big Band directing and playing, make it this one!

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Additional Details
Publisher: Jamey Aebersold Jazz
Page Count: 120
ISBN10: 1-56224-274-1
ISBN13: 978-1-56224-274-9
UPC: 635621501126
SKU: 24-TGM

More about this title

About the Author: Mats Holmquist

Mats Holmquist brings more than three decades of hands-on experience as both a Big Band leader and clinician. His career has been built on solving the practical problems that emerge when directing large jazz ensembles, from rehearsal efficiency to performance cohesion.

Holmquist's approach prioritizes clarity and shared understanding. Rather than reinventing solutions for each new chart, he developed a systematic framework that translates across all repertoire, allowing bands to spend less time on mechanical repetition and more time on musicality.

Why we love this

This book cuts through the guesswork that plagues Big Band rehearsals. Holmquist's 350-term vocabulary and universal rules for accents, timing, and dynamics mean your section leaders and soloists are all speaking the same language, eliminating the endless re-explanation that eats up rehearsal time. The depth on rhythm section responsibilities alone makes this invaluable for any director working with intermediate or advanced players.

What to expect

Reading this feels like having a mentor in the room. Holmquist addresses real scenarios: the sub who doesn't know the book, the personality conflicts that derail section work, the logistics of travel and recording. The tone is pragmatic but never cynical.

Who it's for

Big Band directors at the intermediate and advanced levels will find this essential. Players who want to understand the underlying principles of tight ensemble playing, rather than just following orders, will return to this book repeatedly.

How to get the most out of it

  • Establish your band's accent and timing conventions before the season starts. Holmquist's systematic definitions give you a foundation to reference instantly rather than negotiating them chart by chart.
  • Use the instrument-by-instrument breakdown of rhythm section roles to help each player understand exactly what the piano, bass, drums, and guitar need from them individually and collectively.
  • Address technical problems methodically. Holmquist's section on overcoming instrumental issues provides concrete strategies rather than assuming the problem lies solely with the player's practice habits.
  • Build flexibility into your personnel choices based on Holmquist's guidance on blending different voice types and covering for absent musicians. This preparation prevents scrambling when subs are needed.

How to use it

Work through key sections of this book during sectionals early in the season. Use it as a reference guide when you're setting up a recording session or prepping your band for a festival. Directors can assign specific chapters to section leaders and soloists to deepen their understanding of ensemble responsibilities.

Skills your students will build

  • Understanding unified ensemble language for articulation, dynamics, and phrasing across all charts
  • Individual rhythm section awareness: recognizing the specific role of piano, bass, drums, and guitar within the ensemble
  • Reading and responding to lead player intentions and section balance cues
  • Technical problem-solving for common instrumental issues in a Big Band context
  • Ensemble cohesion through shared knowledge of timing and accent conventions

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