The Funkmasters: The Great James Brown Rhythm Sections 1960--1973 Cover Image

The Funkmasters: The Great James Brown Rhythm Sections 1960--1973: Drumset Book & Online Audio

$29.95 USD
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The Funkmasters: The Great James Brown Rhythm Sections 1960--1973 Cover Image

The Funkmasters: The Great James Brown Rhythm Sections 1960--1973: Drumset Book & Online Audio

For Guitar, Bass, and Drums

The music of James Brown analyzed by Allan "Dr. Licks" Slutsky and Chuck Silverman

Item: 00-MMBK0061CD

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Description
In this unique rhythm section workbook, 23 James Brown classics have been transcribed, broken down into individual lessons, and meticulously recreated on two hours of recordings. Featuring legendary grooves from the guitarists, bassists, and drummers who ignited the Godfather of Soul for over three decades (including Jabo Starks, Bernard Odum, Clyde Stubblefield, Bootsy Collins, Jimmy Nolen, Country Kellum, and more), this book will enlighten and challenge your soul.

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Sample Pages

Sample Audio
1 Funky Drummer --:--
2 I Don't Mind --:--
3 Mother Popcorn --:--
4 The Payback --:--

Funky Drummer

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Sample Video
Additional Details
Series: Manhattan Music Publications
Publisher: Alfred Music
Page Count: 144
ISBN10: 1-57623-443-6
ISBN13: 978-1-57623-443-3
UPC: 029156203028
SKU: 00-MMBK0061CD

More about this title

Why we love this

This book gives drummers direct access to the pocket innovations that shaped modern groove. Rather than generic funk patterns, you're learning from the exact recordings and transcriptions of Clyde Stubblefield, Jabo Starks, and the other architects of James Brown's sound, with two hours of audio that lets you hear every nuance before you play it.

What to expect

Pure pocket. These grooves live in the space between the beat, where a fraction of a ghost note or an open hi-hat creates tension and release. Playing through these 23 classics feels like stepping into the Godfather's rhythm section: disciplined, inventive, and impossible to sit still through.

Who it's for

Intermediate to advanced drummers who want to understand the grammar of funk from its foundational practitioners. This is also invaluable for any rhythm section studying how to lock together, since the transcriptions reveal how Starks, Stubblefield, and others responded to the bass and guitar in real time.

How to get the most out of it

  • Listen through the entire online audio section for a groove before opening the transcription; your ears will lock onto the pocket faster than your eyes can read it.
  • Work the hi-hat patterns in isolation first, especially where Brown's drummers use the open-close interplay to create syncopation rather than straight sixteenths.
  • Record yourself playing along with the audio at half speed (using a practice app or DAW) to tighten your tolerance for the shuffle feel that runs through these grooves.
  • Study how the kick drum syncopates with the bass line in each transcription; this interdependence is what makes the rhythm section breathe as one unit.

How to use it

Use this as a semester-long or year-long rhythm section workshop, pairing one groove per week with your ensemble's regular rehearsals. Drummers and bass players working through the same transcription simultaneously will internalize the call-and-response conversation that makes funk breathe.

Skills your students will build

  • Pocket awareness and syncopation in sixteenth-note subdivisions
  • Ghost note dynamics and articulation on the snare drum
  • Hi-hat control (open-close timing and foot independence)
  • Kick drum syncopation with bass line contours
  • Reading and interpreting rhythm section transcriptions
  • Listening for and replicating shuffle and swing feels
  • Rhythm section lock and responsiveness to other players

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