The Fruit Of The Spirit Is Love Sheet Music Preview

The Fruit Of The Spirit Is Love: 3-Part Treble Choral Octavo

Arranged by Nancy Grundahl

Item: 35-DS00263602

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00263602

More about this title

Why we love this

Grundahl's arrangement captures the lyrical warmth of this spiritual text without oversimplifying the voices. The three-part treble voicing sits naturally for young and developing singers, but the harmonic language keeps the piece engaging for more experienced ensembles.

What to expect

Lyrical and grounded. The arrangement honors the spiritual's contemplative character while keeping the texture light and transparent. Singers feel the emotional weight of the text without being overwhelmed by complexity.

Who it's for

Three-part treble choirs preparing repertoire for festivals and concerts. This works for choirs with singers ranging from middle school through high school, provided your ensemble has solid note-reading skills and comfortable upper range access.

How to get the most out of it

  • Balance the text clarity across all three parts; the message of the piece hinges on singers understanding and communicating what they're singing.
  • Explore the dynamic shape carefully even if markings are minimal; find the natural rise and fall that follows the spiritual's inherent phrasing.
  • Blend the treble voices from the first rehearsal onward. Three-part writing shows every tuning issue, so establishing locked-in intonation early pays dividends.

How to use it

Include this in a concert pairing spirituals with other three-part work, or program it as a moment of reflection within a longer set. The piece's straightforward elegance makes it an effective closer or centerpiece when you want to slow the program's pace intentionally.

Skills your students will build

  • Balancing three independent lines while maintaining blend
  • Singing with intent and communicating text in a spiritual idiom
  • Reading and executing clear part writing with minimal notational clutter
  • Sustaining legit tone in upper register across an extended piece

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