The Four Seasons, No. 2: Concerto for Violin in G minor - Summer (Le Quattro Stagioni: L'Estate, RV315/F.I: 23) Cover Image

The Four Seasons, No. 2: Concerto for Violin in G minor - Summer (Le Quattro Stagioni: L'Estate, RV315/F.I: 23): String Orchestra, Solo Strings with Ensemble, Solo Part

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The Four Seasons, No. 2: Concerto for Violin in G minor - Summer (Le Quattro Stagioni: L'Estate, RV315/F.I: 23) Cover Image

The Four Seasons, No. 2: Concerto for Violin in G minor - Summer (Le Quattro Stagioni: L'Estate, RV315/F.I: 23): String Orchestra, Solo Strings with Ensemble, Solo Part

By Antonio Vivaldi, ed./arr. by Newell Jenkins

Item: 36-A117748

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Description
THE FOUR SEASONS concerti, Antonio Vivaldi's (1678-1741) most popular works, are exemplary both as early, detailed examples of what would come to be called "program music," but also because of the revolution in musical concepts necessary to make the music programmatic, with representations of singing birds (differentiated by species), buzzing flies, storms, flowing creeks, a shepherd and his barking dog, hunting parties, parties hunted, drunken dancers, frozen landscapes, and warm winter fires. Vivaldi even published the concerti with accompanying sonnets that made clear what in each season the music was meant to invoke. "Summer" is the second concerto of the group. Instrumentation: Org or Hpchd: Str (8-8-5-5-5 in set): Solo Vn in set.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-895630-04-1
ISBN13: 979-8-895630-04-4
UPC: 659859252209
SKU: 36-A117748
Instrumentation: Org or Hpchd: Str (8-8-5-5-5 in set): Solo Vn in set

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678-1741) was a Venetian priest, virtuoso violinist, and prolific composer whose output shaped the development of the concerto and instrumental music across Europe. He taught at the Ospedale della Pietà, a charitable institution for orphaned and illegitimate girls, where he composed and directed music for an accomplished all-female ensemble, creating works that showcased both virtuosity and emotional depth.

Vivaldi's influence on Baroque music pedagogy and performance practice remains profound. His concertos established formal structures that composers like Bach and Mozart adapted, and his writing for strings demonstrated innovations in figuration, articulation, and dramatic pacing that established new technical expectations for instrumental musicians.

Why we love this

Summer stands apart from the other seasons through its relentless dramatic intensity. The opening storm materializes immediately, and the writing never fully releases that tension, making it the most technically demanding and theatrically gripping of the four concerti. Vivaldi's orchestration here creates genuine dialogue between soloist and ensemble, giving your concertmaster a genuine showpiece while the full section remains engaged throughout.

What to expect

Relentless heat and turbulence define this concerto from its opening measures. The writing conveys panic and motion through rapid figuration, unexpected harmonic turns, and the friction between the soloist's flashy passagework and the ensemble's grinding accompaniment. Even in its quieter moments, there's an undercurrent of unease, a musical landscape that refuses to settle.

Who it's for

String orchestras performing at intermediate to advanced levels will find this a rewarding centerpiece, particularly ensembles with a capable concertmaster who can carry both the virtuosic demands and the interpretive weight. Directors seeking repertoire that combines dramatic narrative with genuine technical challenge, and audiences that connect with program music, will find Summer compelling.

How to get the most out of it

  • Establish the tempo with precision before the first downbeat; this opening storm needs urgency and collective confidence to lock immediately with the solo violinist.
  • Balance the solo violin against the full string section with care. The accompanimental figures in the ensemble should remain transparent, allowing the soloist's dramatic gestures to dominate without drowning out the harmonic foundation.
  • Use the ensemble's tremolo passages to create atmospheric texture. Coordinate bow direction and sustain consistency across the section so these moments shimmer rather than clutter.
  • Shape the runs and scalar passages in the solo part with clear articulation; Baroque style favors separation and clarity over the sustained legato that modern ears sometimes expect.

How to use it

Program Summer as the centerpiece of a concert exploring Vivaldi's seasonal cycle, or pair it with other Baroque narrative works to showcase string writing across a historical period. It also serves well as a standalone concerto feature, offering audiences immediate engagement through its dramatic subject matter and virtuosic display.

Skills your students will build

  • Coordinating solo and tutti textures with clarity and balance
  • Executing Baroque articulation and bowing through rapid passagework
  • Sustaining rhythmic precision during tremolo and repeated-note accompaniment figures
  • Responding to a soloist's rubato while maintaining ensemble cohesion
  • Reading figured bass realization and continuo reduction notation

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