The FJH Classic Note Speller, Book 2 Cover Image

The FJH Classic Note Speller, Book 2: Book

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The FJH Classic Note Speller, Book 2 Cover Image

The FJH Classic Note Speller, Book 2: Book

By Carol Matz

Item: 98-FJH1185

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Description
Book 2 covers: inner and outer ledger line notes, note spelling with key signatures (G major, F major, D major, A major), accidentals, and enharmonic notes.

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Additional Details
Series: The FJH Piano Teaching Library
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-105-X
ISBN13: 978-1-56939-105-1
UPC: 674398202270
SKU: 98-FJH1185

More about this title

About the Composer: Carol Matz

Carol Matz

Carol Matz brings decades of practical teaching experience to every book she writes. She has published over 300 compositions and arrangements across multiple genres, from solo piano to jazz big band and string quartet, and has led piano pedagogy workshops on four continents. Her deep understanding of how students actually learn comes from years spent at the keyboard with her own students.

Matz studied composition, arranging, and orchestration at the University of Miami and has worked extensively in studio settings, arranging for recording artists. Her ability to sequence musical concepts with precision, breaking down complex skills into digestible steps, shows in every page of her teaching materials.

Why we love this

This book strips away guesswork from note reading by tackling the exact concepts that trip up intermediate students: ledger lines beyond the immediate staff, major key signatures applied to actual note spelling, and the slippery business of accidentals and enharmonics. Matz's sequencing feels inevitable rather than arbitrary, so students build confidence rather than resentment.

Who it's for

Piano students moving into early-intermediate repertoire who need rock-solid note-reading skills before expanding their key signature vocabulary. This works equally well for students taking lessons one-on-one or in group settings where note-reading drills anchor the first five minutes of class.

How to get the most out of it

  • Use the ledger line sections before assigning pieces that venture far above or below the staff
  • Assign key signature pages in the week before introducing a new key in repertoire
  • Work through accidental and enharmonic exercises one type at a time rather than all at once

How to use it

Pair this with early-intermediate method books to shore up the theory and reading concepts they introduce. Many teachers cycle through a few pages each week during warm-up, tackling one key signature cluster at a time to match what students are encountering in their repertoire.

Skills your students will build

  • Reading ledger lines above and below the grand staff
  • Note spelling within major key signatures (G, F, D, A major)
  • Identifying and applying accidentals correctly
  • Recognizing and writing enharmonic equivalents
  • Connecting key signature theory to actual note identification on the staff

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