The Fast Lane: Score
By Ryan Fraley
Grade: 1.5
Item: 98-DJE4139S
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About the Composer: Ryan Fraley

Ryan Fraley has built a reputation for writing jazz arrangements that speak directly to developing ensembles. His work in the FJH Beginning Jazz series demonstrates a clear understanding of what students need to sound confident while still being genuinely fun to play.
Fraley's approach balances accessibility with contemporary musical thinking. He refuses to condescend to younger players, instead offering them real swing feels, modern harmony, and the chance to stretch themselves within achievable technical boundaries.
Why we love this
Fraley understands what beginning jazz ensembles need: accessible swing vocabulary paired with harmonic color that keeps the band engaged. The built-in flexibility of the solo section means you can shape the chart to your ensemble's strengths, whether that's featuring your section leaders or keeping everyone playing throughout.
What to expect
Propulsive and modern. The simple rhythmic framework creates forward momentum while contemporary harmonies add color and slight edge, avoiding the feeling of a dated or overly traditional swing chart. The result is energetic without being frantic, and fresh without being inaccessible.
Who it's for
Jazz ensemble directors working with players new to swing repertoire and those seeking accessible charts with harmonic sophistication. The grade 1.5 level welcomes second-year jazz programs or experienced beginning ensembles ready to step beyond basic shuffle grooves.
How to get the most out of it
- Lock the rhythm section into a conversational pocket. The simple rhythms rely on ensemble feel rather than complexity, so establish a relaxed swing eighth-note division and let the groove breathe naturally.
- Use the provided solo sheets to build confidence in your soloists during sectional rehearsals. Start with heads-only run-throughs before opening up the solo section in full ensemble.
- Balance the contemporary harmonies by asking the ensemble to voice each chord cleanly. Fraley's harmony won't sparkle without precision articulation and intonation.
- Keep the tempo energized without rushing. Hard-driving doesn't mean fast; it means locked and intentional. Use a metronome to establish the true pulse before adding swing interpretation.
How to use it
Open a concert with this as a high-energy statement piece, or program it mid-set to reset the room's energy. The solo flexibility makes it ideal for a showcase concert where you want to feature multiple soloists without requiring separate charts.
Skills your students will build
- Swing eighth-note articulation and feel
- Comping and rhythmic independence in the rhythm section
- Solo construction over contemporary chord changes
- Sectional ensemble blend and balance
- Reading mixed meters and syncopated rhythmic figures