The Essence of the Blues: Flute Cover Image

The Essence of the Blues: Flute: Flute Book & CD

$26.95 USD
Sale price  $26.95 USD Regular price 
Skip to product information
The Essence of the Blues: Flute Cover Image

The Essence of the Blues: Flute: Flute Book & CD

10 Great Etudes for Playing and Improvising on the Blues

By Jim Snidero

Level: Intermediate / Advanced

Item: 01-ADV14534

$26.95
Shipped

One moment…

Description
The Essence of the Blues by Jim Snidero provides beginning to moderately advanced musicians with an in-depth look into the blues. In 10 etudes focusing on various types of the blues, the musician learns to master the essential basics step by step. Each piece comes with an in-depth analysis of blues styles and music theory, appropriate scale exercises, tips for studying and practicing, suggestions for improvising, recommended listening, and specific techniques used by some of the all-time best jazz/blues musicians, including Miles Davis, Charlie Parker, B.B. King, Stanley Turrentine, and others. The accompanying play-along CD features world famous New York recording artists including Eric Alexander, Jeremy Pelt, Jim Snidero, Steve Davis, Mike LeDonne, Peter Washington, and others. Recorded at a world-class studio, these play alongs are deeply authentic, giving the musician a real-life playing experience to learn and enjoy the blues.

The Essence of the Blues: Flute: Flute Book & CD isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
1 Etude 4- Freeloader, Flute --:--
2 Etude 4- Freeloader, Rhythm Section --:--

Etude 4- Freeloader, Flute

0:00
0:00
Sample Video
Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-954810-55-7
ISBN13: 978-3-954810-55-0
UPC: 9790206300349
SKU: 01-ADV14534

More about this title

About the Author: Jim Snidero

Jim Snidero

Jim Snidero has spent more than three decades establishing himself as a leading voice in contemporary jazz. An alto saxophonist, composer, arranger, and educator, he earned recognition from DownBeat Magazine as both a "master musician" and "alto saxophone virtuoso," and secured a place in the 2017 DownBeat Critic's Poll. His influence continues to shape the international jazz landscape.

Snidero's path to New York began in Camp Springs, Maryland, where he was immersed in music from childhood through school programs and private study. He worked with saxophonist Phil Woods as a teenager and was a member of the One O'Clock Lab Band at the University of North Texas before further study with Dave Liebman. After relocating to New York in 1981, he quickly became known for his work with Brother Jack McDuff, the Mingus Big Band, Frank Wess, the Toshiko Akiyoshi Jazz Orchestra, and Frank Sinatra's Duets II album. His prolific recording career as a leader has produced an extensive catalog marked by musical depth and stylistic range, including acclaimed releases such as Mixed Bag and Blue Afternoon.

Why we love this

Snidero grounds each etude in real blues traditions by anchoring the music theory and improvisation concepts to actual recordings and techniques from giants like Miles Davis, Charlie Parker, and B.B. King. The accompanying CD features elite New York session musicians, giving flutists an authentic ensemble experience rather than a generic backing track. This combination of scholarly depth and genuine artistry makes the blues feel learnable rather than intimidating.

What to expect

The blues on flute carries a soulful, intimate quality that unfolds gradually as you move through these etudes. You'll encounter the sorrow of slow blues, the swagger of shuffle rhythms, and the freedom of improvised lines over changes, each one revealing something essential about how jazz musicians think and breathe.

Who it's for

Flutists working at intermediate to advanced levels who are ready to explore jazz and blues on their instrument and want structured guidance into the language and history behind the music. This book serves equally well for private studio instruction, small jazz ensembles, or self-directed musicians committed to deepening their understanding of blues tradition.

How to get the most out of it

  • Study the analysis and scale exercises before tackling each etude; they build the vocabulary you'll need to navigate the blues language in the piece itself.
  • Listen to the recommended recordings multiple times before recording your own take; absorb the phrasing, tone color, and timing that define each blues style.
  • Use the CD accompaniment to lock in with the rhythm section, but also try playing without it once you're confident, so you develop independence and flexibility in your time feel.
  • Experiment with the improvisation suggestions in low-pressure practice sessions first; the etudes are designed to support exploration, not penalize it.

How to use it

Assign these etudes sequentially to students over a semester or year of study, pairing each one with a listening assignment to deepen their engagement with the jazz canon. You might also invite advanced students to perform one etude alongside a blues standard as a recital program, or use them as the foundation for a jazz history discussion in an ensemble rehearsal.

Skills your students will build

  • Blues scale application across multiple chord changes
  • Improvisation over blues progressions (12-bar, shuffle, modal, and other blues forms)
  • Jazz articulation and phrasing techniques
  • Listening and transcription skills through guided analysis of professional recordings
  • Understanding blues harmony and its relationship to melody
  • Time feel and rhythmic flexibility in swing and shuffle contexts

You May Also Like