The Dreidel Boogie Cover Image

The Dreidel Boogie: Alto, Tenor & Baritone Saxophones (AATB) Score & Parts

$15.00 USD
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The Dreidel Boogie Cover Image

The Dreidel Boogie: Alto, Tenor & Baritone Saxophones (AATB) Score & Parts

Traditional Yiddish Song / arr. David Marlatt

Level: Medium

Item: 81-SQ22097

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Description
This arrangement of the classic children's Hanukkah song is written in the style of 1950s rockabilly music and includes all the elements from the Boogie Woogie bass line to the traditional guitar riffs.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
SKU: 81-SQ22097
Instrumentation: Alto, Tenor & Baritone Saxophones (AATB)

More about this title

Why we love this

David Marlatt channels the infectious energy of 1950s rockabilly into a traditional Hanukkah melody, creating something that feels both historically rooted and immediately fun to play. The arrangement respects the classic tune while giving saxophonists genuine rhythmic and stylistic material to sink their teeth into, avoiding the trap of reverent or overly simplified holiday music.

What to expect

Imagine "Hound Dog" meets the menorah: bouncy, syncopated, and full of period charm without a trace of kitsch. The boogie woogie baseline drives the whole arrangement forward, while the interplay between voices creates that classic call-and-response feel that makes rockabilly irresistible.

Who it's for

Saxophone quartets and ensembles seeking approachable but musically engaging holiday repertoire that doesn't require a large group. This works equally well for advanced middle school quartets or community adult ensembles looking to add personality to their December programs.

How to get the most out of it

  • Lock the rhythm section by having your baritone anchor the boogie woogie bass line with a steady, deliberate pulse; the alto and tenor lines will sit better when the foundation is rock solid.
  • Lean into the rockabilly swagger without overplaying it. The guitar riffs and rhythmic figures work best when the phrasing stays conversational rather than exaggerated.
  • Balance the three voices so the melody reads clearly through the alto or tenor, depending on which takes the lead in each section. Use dynamic shaping to guide the ear rather than relying on volume alone.
  • Check your intonation carefully in the lower register where the baritone sits; the style demands a warm, grounded tone that requires solid support from the diaphragm.

How to use it

Program this as an opener or an encore for Hanukkah-themed concerts, or use it as a fun interlude in a broader holiday show where you want to surprise audiences with something beyond traditional arrangements. It pairs naturally with other upbeat seasonal music and gives your saxophone ensemble a chance to show range beyond classical or jazz repertoire.

Skills your students will build

  • Phrasing in a groove-based style (maintaining pocket without dragging or rushing)
  • Balancing independent melodic lines within a quartet texture
  • Rockabilly rhythmic conventions and syncopation
  • Intonation and tone control in extended lower register on baritone saxophone
  • Stylistic awareness across musical idioms

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