The Dreams Of The Dreamer Sheet Music Preview

The Dreams Of The Dreamer: SSAB Choral Octavo

By Bruce W. Tippette

Item: 35-DS00451779

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00451779

More about this title

About the Composer: Bruce W. Tippette

Bruce W. Tippette

Bruce W. Tippette combines deep training in composition with hands-on experience in the classroom and rehearsal studio. He earned his Master of Music in composition from the University of North Carolina School of the Arts and dual bachelor's degrees in composition/theory and music education from Appalachian State University. His orchestral work Unconquered won the 2012 Mary Starling Composition Competition and earned subsequent performances by the Winston-Salem Symphony.

Beyond concert works, Tippette has composed for choreographers, film, and collaborated with Cirque du Soleil on experimental projects selected in 2012, 2013, and 2014. He currently teaches composition, theory, piano, and voice at UNCSA's Community Music School, serves as Youth Music and Handbell Director at Augsburg Lutheran Church, and works as a collaborative pianist and rehearsal accompanist. His compositions have appeared internationally and continue to earn commissions from both choral and instrumental ensembles.

Why we love this

Tippette's gift for text setting shines in this gentle piece, where the vocal writing feels natural and supportive rather than showy. The SSA/SSAA voicing keeps parts singable while creating genuine harmonic depth, making it rewarding for singers at different experience levels within the same ensemble.

What to expect

The piece evokes quiet contemplation and gentle hope, inviting singers and listeners into an intimate space. Its harmonic language feels contemporary yet approachable, creating an atmosphere of personal reflection that settles into the room.

Who it's for

This octavo works well for high school and adult choirs seeking accessible concert repertoire with emotional substance. The flexible voicing allows it to fit both SSA and SSAA configurations, making it practical for ensembles with changing membership.

How to get the most out of it

  • Shape the phrase endings with slight rallentando to honor the introspective text without losing forward momentum.
  • Balance the voices so no single line dominates; this piece thrives on the interplay between all parts rather than a featured melody.
  • Let younger singers know where the harmonic resolutions land so they can sing with confidence even in supporting roles.

How to use it

Pair this with spirituals or folk-inspired works for a concert focused on dreams, aspiration, or personal journeys. Its reflective character also makes it an effective closer for an all-sacred or mixed program, offering a moment of calm before the audience departs.

Skills your students will build

  • Balancing voice parts in SSA/SSAA texture
  • Interpreting text with subtle dynamic shaping
  • Sustaining phrase integrity across longer harmonic progressions
  • Blend and intonation in contemporary harmonic language

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