The Dreaded Groove and Hook Cover Image

The Dreaded Groove and Hook: Brass Band Score & Parts

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The Dreaded Groove and Hook Cover Image

The Dreaded Groove and Hook: Brass Band Score & Parts

By Simon Dobson

Item: 12-0571570003

$76.99
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Description
Simon Dobson's The Dreaded Groove and Hook, is an up tempo acid--jazz work for brass band, drawing its influences from bands such as Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared around the band soloists and accompanied by 'Stuart Zendor--esque' bass lines, whilst the hook, in pop terms, is the catchy bit of the song. This happens when the whole band join to play a huge 'riff' that acts as a kind of chorus to the jazz like verses. Percussion and soloists alike will have plenty to do in this piece!

The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their program for the Brass In Concert Championships in November 2008.

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Additional Details
Series: Faber Edition: Faber Brass Band Series
Publisher: Faber Music
ISBN10: 0-571-57000-3
ISBN13: 978-0-571-57000-3
SKU: 12-0571570003
Instrumentation: Brass Band

More about this title

About the Composer: Simon Dobson

Simon Dobson is a British composer whose work spans brass band, wind band, and orchestral repertoire. He has established himself as a significant voice in contemporary brass band composition, creating pieces that bridge classical craftsmanship with popular music idioms and contemporary ensemble writing.

Why we love this

Dobson captures the energy of modern funk and jazz fusion without sacrificing the brass band tradition. The piece moves beyond standard contest fare by genuinely engaging with groove as a compositional principle, giving soloists real spotlight moments while keeping the ensemble driving throughout. Your section leaders and percussionists will appreciate material that challenges them musically and keeps the audience awake.

What to expect

Propulsive, funky, and unapologetically modern. The piece pulses with the swagger of acid-jazz influences, allowing the brass band sound to flex against syncopated bass lines and a catchy riff that lodges itself in your head. Moments of solo spotlight are surrounded by infectious ensemble grooves that demand precision and joy in equal measure.

Who it's for

Contest and festival brass bands seeking contemporary repertoire that authentically engages with groove and rhythm without abandoning brass band tradition. Ensembles with strong solo talent and confident percussion sections will find the most rewarding material here.

How to get the most out of it

  • Anchor the groove with locked communication between your bass section and timpani. The 'Stuart Zendor-esque' bass lines need to sit slightly ahead of the beat to create the acid-jazz swagger the piece demands.
  • Solo passages should breathe. Resist the urge to rush between the verse grooves and the big riff sections; let the band settle into each character shift before launching into the next.
  • Emphasize the rhythmic precision of your percussion battery. They're not merely keeping time; they're integral to the funk texture, and crisp articulation separates this from standard march accompaniment.
  • Build dynamic contrast between the groove verses (where individual soloists carry melody) and the hook (where the full band riff together). The hook should feel like a moment of collective release.

How to use it

Program this for concerts where you want to demonstrate your band's range beyond traditional contest classics. The contemporary idiom and popular music lineage make it accessible to younger audiences while the compositional craft satisfies musicians and adjudicators alike. It pairs well with more classical selections to show stylistic versatility.

Skills your students will build

  • Groove-based rhythm reading and maintaining consistent pocket against syncopated bass lines
  • Solo melodic phrasing over ensemble accompaniment
  • Ensemble unity and tight rhythmic coordination in funk-influenced idioms
  • Dynamic control and articulation within contemporary groove contexts
  • Precision percussion integration with harmonic and rhythmic frameworks

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