The Day The Music Teachers Run The Show Sheet Music Preview

The Day The Music Teachers Run The Show: 2-Part Choral Octavo

By Mark Burrows

Item: 35-DS00249172

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00249172

More about this title

About the Composer: Mark Burrows

Mark Burrows

Mark Burrows combines his work as a conductor and composer with a deep commitment to music education. His catalog appears regularly on state and festival lists, and he fields multiple commissions annually from children's choirs, adult ensembles, and intergenerational festival groups. He earned his undergraduate degree in music education from Southern Methodist University and completed graduate studies in conducting at Texas Christian University.

Currently serving as Director of Children's Ministries at FUMC in Fort Worth, Burrows brings real classroom experience to everything he writes. He lives in Fort Worth with his wife Nina and their daughters Emma and Grace.

Why we love this

Burrows has written a piece with genuine personality and humor that works just as well on a spring concert as it does at an end-of-year celebration. The title alone signals what audiences will hear: music that celebrates the people who make school music programs run, delivered with warmth and wit. It's the kind of repertoire that reminds students why they show up to rehearsal.

What to expect

The title promises what the music delivers: a moment of levity and celebration that feels both respectful and genuinely playful. This is not a novelty item disguised as serious music; it's serious music wearing a smile, the kind of piece that builds genuine joy in rehearsal and lands with an audience that gets the inside joke.

Who it's for

This octavo works for choirs of all levels that want to acknowledge their teachers with something fun and memorable. Whether you're programming a spring concert, a music education advocacy event, or a year-end celebration, it gives you a piece that speaks directly to your ensemble and your audience.

How to get the most out of it

  • Balance the voices so neither part dominates; the humor lands when both lines are equally clear and committed
  • Pay attention to text clarity in any rhythmically active sections; diction makes the message land with your audience
  • Consider how this fits emotionally into your concert order; positioning matters when you're working with a piece this specific in its subject matter

How to use it

Open a spring concert with it for an immediate connection with your audience, or use it as the emotional peak of a program celebrating school music and the people who teach it. It pairs well with more traditional selections and gives you a natural moment for applause and laughter that keeps concert momentum alive.

Skills your students will build

  • Text delivery and comedic timing in performance
  • Maintaining blend and balance in two-part writing
  • Interpretation of music with narrative and thematic specificity

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