The Dargason (Finale from St. Paul's Suite) Cover Image

The Dargason (Finale from St. Paul's Suite): Conductor Score & Parts

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The Dargason (Finale from St. Paul's Suite) Cover Image

The Dargason (Finale from St. Paul's Suite): Conductor Score & Parts

For Cello Quartet and Double Bass

By Gustav Holst / arr. Lynne Latham

Grade: 4

Item: 36-52706011

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Description
Cello 1 and 2 get into treble and tenor clefs, but everyone gets something fun. Should be accessible for accomplished high school ensemble.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296552-X
ISBN13: 978-1-68-296552-8
UPC: 660355156366
SKU: 36-52706011
Instrumentation: Cello Quartet

More about this title

About the Composer: Gustav Holst

Gustav Holst (1874-1934) shaped twentieth-century British music through his gift for melody and bold orchestration. A composer, conductor, and teacher, he wrote across every major genre and maintained a deep commitment to music education, believing that accessible music could be both artistically serious and genuinely enjoyable for performers at all levels.

Why we love this

Latham's arrangement brings Holst's infectious finale into the cello quartet realm with smart voice leading that keeps all four players engaged. The shift into treble and tenor clefs for the first and second cellos adds a refreshing notational challenge without sacrificing the tune's immediate appeal, making this an ideal vehicle for a group ready to stretch their reading skills while playing something genuinely musical.

What to expect

Bright, folk-like, and rhythmically buoyant. The Dargason has an irrepressible quality, and Latham's arrangement preserves that character while giving each voice a meaningful role in the texture. There's genuine joy in the writing, grounded in clean counterpoint that lets the theme shine through.

Who it's for

Accomplished high school cello quartets and advanced youth ensemble programs ready for a piece that combines melodic accessibility with genuine notational variety. This works equally well for chamber ensembles seeking repertoire that sounds polished quickly without requiring virtuosic technique.

How to get the most out of it

  • Balance the melodic line carefully between first cello and viola/second cello parts; the tune should sing through even when shared across voices.
  • Maintain a steady, confident tempo throughout. The energy of the Dargason theme relies on forward momentum without rushing.
  • Attend to dynamic contrast between phrases. This arrangement sits comfortably enough that your ensemble can shape the music expressively without technical strain.
  • Use the conductor score to mark entrance cues and section boundaries clearly so cellists who are reading less familiar clefs stay oriented.

How to use it

This finale works beautifully as a concert closer for a chamber music evening or as part of a themed program exploring folk melody in classical music. Its accessible charm and quick payoff also make it ideal for a spring concert or chamber recital where you want to showcase string ensemble musicality without heavy technical demands.

Skills your students will build

  • Reading treble and tenor clefs on cello
  • Sharing a melodic line across multiple voices
  • Balancing transparency in four-part texture
  • Playing folk-based melody with rhythmic precision and style

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