The Crosley March Cover Image

The Crosley March: Concert Band Conductor Score

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The Crosley March Cover Image

The Crosley March: Concert Band Conductor Score

By Henry Fillmore / arr. Loras John Schissel

Grade: 4

Item: 36-50105347

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Description
Written for Powell Crosley of the Crosley Radio Corporation, The Crosley March arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It's not easy, but it's worth any time needed to work it up. (4:00)

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Additional Details
Series: Heritage of the Concert Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270313-7
ISBN13: 979-8-89-270313-0
UPC: 659359861420
SKU: 36-50105347
Instrumentation: Concert Band

More about this title

About the Composer: Henry Fillmore

Henry Fillmore (1881-1949) composed and arranged over 250 marches during a prolific career that spanned from the early 1900s through the mid-twentieth century. His work defined the American march tradition alongside John Philip Sousa, and he became known for infusing his compositions with infectious energy, clear melodic writing, and orchestrations that brought out the best in school and community bands.

Why we love this

This march captures everything that made Fillmore's writing endure: a driving rhythmic foundation, lyrical themes that sit naturally in the ensemble, and orchestration that rewards solid fundamentals without excessive technical demand. The Schissel arrangement respects the original's spirit while tailoring it for modern concert band resources, making it a satisfying read that audiences recognize and enjoy.

What to expect

Brassy, propulsive, and full of optimism. The march strides forward with clear purpose, mixing bright syncopation with soaring melodic moments that give the ensemble something proud to play. It feels like music written for celebration and recognition, with enough harmonic color to stay interesting without abandoning the genre's straightforward charm.

Who it's for

Concert bands at the upper intermediate level seeking authentic, engaging American march repertoire that doesn't require exceptional technical range but does demand secure musicianship and balanced ensemble playing. It works equally well for community bands, all-state festivals, and concert programs where accessibility and crowd appeal matter.

How to get the most out of it

  • Establish a crisp, steady tempo from the opening and maintain it throughout the four-minute span; the march's character depends on rhythmic confidence, not pushing the pace.
  • Balance the melody across the ensemble sections, particularly when the theme passes between cornets, clarinets, and saxophones; clarity prevents the line from becoming muddy.
  • Shape the dynamic rises and falls with the harmonic progression rather than treating each phrase as uniform; let the music breathe between sections.
  • Articulate the marchlike rhythmic patterns in the lower reeds and brass with precision to anchor the forward momentum.

How to use it

Program this as an opener or a closing encore on a concert that otherwise features more contemporary or classical repertoire; it gives audiences a familiar touchstone and gives your band an immediate win. It also pairs naturally with other Fillmore works or with other marches from the Heritage of the Concert Band Series, allowing you to explore the depth of American march tradition in a single concert.

Skills your students will build

  • Sustaining consistent tempo over an extended form
  • Balancing independent melodic lines across multiple sections
  • Executing articulate rhythmic figures in accompaniment patterns
  • Shaping long-line phrasing within a marchlike context

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