The Contemporary Arranger Cover Image

The Contemporary Arranger: Comb Bound Book & CD

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The Contemporary Arranger Cover Image

The Contemporary Arranger: Comb Bound Book & CD

By Don Sebesky

Item: 00-1427

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Description
An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.

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Additional Details
Publisher: Alfred Music
Page Count: 252
ISBN10: 0-88284-032-0
ISBN13: 978-0-88284-032-1
UPC: 038081034959
SKU: 00-1427

More about this title

About the Author: Don Sebesky

Don Sebesky

Don Sebesky's career spans Broadway, film, jazz, and classical music. His orchestrations have earned him a Tony Award and Drama Desk Award for Kiss Me, Kate, along with Tony and Drama Desk nominations for his work on Parade. He has arranged and composed for major artists including Barbra Streisand, Carly Simon, and Barry Manilow.

Sebesky's achievements include 20 Grammy nominations and three Emmy nominations, with Grammy Awards for Best Composition and Arrangement in 1999 and 2000. His influence on American musical theater and jazz arranging has made him one of the most respected voices in the field, and his work continues to define standards for orchestration and arrangement across multiple genres.

Why we love this

This is the definitive resource from someone who has shaped modern arranging across Broadway, jazz, and popular music. The included CD features performances by world-class musicians like George Benson and Freddie Hubbard, giving you real-world examples of the concepts you're studying rather than synthetic demonstrations. The comb binding makes it genuinely usable as both a study text and a reference you'll return to throughout your arranging practice.

What to expect

Clear and methodical, without condescension. The writing assumes you know music and want to understand the principles that separate good arranging from great arranging. The CD performances ground the theory in actual artistry, letting you hear what mastery sounds like.

Who it's for

Arrangers and composers at intermediate level and beyond who want to deepen their understanding of orchestration, voicing, and scoring techniques. Teachers of arranging courses and jazz educators will find this an essential text for their curriculum. Anyone working in musical theater, jazz, or contemporary ensemble writing will benefit from Sebesky's direct, authoritative approach.

How to get the most out of it

  • Study the CD examples alongside the text, pausing to listen for specific orchestration choices Sebesky highlights in each chapter.
  • Work through the examples on your instrument or at the piano to internalize how theoretical concepts translate into actual sound.
  • Use the lay-flat binding to keep the book open next to your manuscript paper while you're writing your own arrangements.
  • Return to relevant sections whenever you encounter a specific arranging challenge in your own work, rather than reading straight through.

How to use it

Pair this with your advanced theory or composition curriculum as the primary text for an arranging course. Musicians preparing to work professionally in any commercial or theatrical context will return to this book repeatedly throughout their careers.

Skills your students will build

  • Orchestration for various ensemble sizes and instrumental combinations
  • Harmonic voicing and reharmonization techniques
  • Score layout and practical notation for performers
  • Balancing and blending instruments in an arrangement
  • Adapting melodies and themes for different instrumental colors
  • Understanding the role of the arranger in different musical contexts

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