The Complete Electric Bass Method: Beginning Blues Bass Cover Image

The Complete Electric Bass Method: Beginning Blues Bass: Bass Guitar Book & DVD

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The Complete Electric Bass Method: Beginning Blues Bass Cover Image

The Complete Electric Bass Method: Beginning Blues Bass: Bass Guitar Book & DVD

By David Overthrow

Item: 00-24415

$23.95
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Description
Designed for beginning bassists who want to play the blues, this title makes a great companion to any starter bass method and the perfect complement to the author's Complete Electric Bass Method. Learn various grooves in both straight and swing feels, all within the context of such styles as rock blues, jazz blues, funk blues and more. Highlighted with lessons on scales and chords that are clear and easy to understand, this abundant resource of blues bass lines not only adds to your vocabulary, but also provides the tools you need to create great bass lines of your own for any practical playing situation.

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Additional Details
Series: Complete Method
Publisher: Alfred Music
ISBN10: 0-7390-3831-1
ISBN13: 978-0-7390-3831-4
UPC: 038081265582
SKU: 00-24415

More about this title

About the Author: David Overthrow

David Overthrow

David Overthrow brings nearly three decades of bass playing experience to his teaching, having worked as both a performer and educator since the early 2000s. He studied with respected bassists Bruce Gertz, Whit Brown, and John Neves at Berklee College of Music and completed his Bachelor of Music degree at Western Connecticut State University. Since 1985, he has served as Director of Music and Head of Jazz Studies at the Canterbury School in New Milford, Connecticut, while maintaining a private teaching practice.

Overthrow has been part of the National Guitar Workshop faculty since its founding in 1984, conducting summer bass seminars and intensives there regularly. His performance credits span funk, jazz, rock, and reggae styles across multiple recordings, and he has shared the stage with notable players including Mike Stern, Larry Coryell, Frank Gambale, John Abercrombie, Trey Anastasio, and Zakk Wylde. His deep familiarity with blues bass vocabulary comes from decades of applied musicianship across multiple genres.

Why we love this

Overthrow writes from the perspective of someone who plays blues regularly across multiple styles, so the grooves and bass lines feel authentic rather than textbook. The progression from straight feels to swing feels, organized by blues subgenres, gives students a clear roadmap for understanding how the bass anchors different rhythm contexts. The combination of foundational material (scales and chords) with immediately playable bass lines means students spend less time on abstractions and more time making music.

What to expect

The groove-centered approach means you're playing music almost immediately rather than grinding through exercises. Each style (rock blues, jazz blues, funk blues) has its own feel and pocket, and the book guides you through these distinct rhythmic worlds while keeping the bass lines accessible enough that you can actually nail them in a practice session.

Who it's for

Beginning bassists ready to move beyond basic note reading and into the world of blues idioms, whether they're working through a general method book or studying bass independently. This book works equally well as a companion to other starter methods or as a focused deep dive into blues styles for someone who has already learned fundamentals. It's designed for players who want to understand how to build grooves and create their own bass lines, not just read and repeat.

How to get the most out of it

  • Start with the straight feel grooves before tackling swing; the rhythmic precision you develop will transfer directly to the swing material later.
  • Use the DVD demonstrations to absorb the pocket and feel of each groove style, not just the mechanics. Hearing how a rock blues groove differs from a jazz blues groove is as important as knowing where your fingers go.
  • Generate variations on the provided bass lines by altering one or two notes rather than starting from scratch. This builds both your understanding of what makes a groove work and your confidence in creating original lines.
  • Practice grooves at slower tempos with a metronome until the feel becomes second nature, then gradually increase speed. Blues bass relies on pocket and timing more than technical speed.

How to use it

Use this book to supplement beginning band or ensemble bass players who want exposure to blues idioms beyond standard classical or concert band settings. It also serves as an excellent resource for a jazz ensemble or blues combo rehearsal, where you can pull specific grooves and bass lines that match the ensemble's style and tempo. If you're teaching a small group or private bass student who gravitates toward blues or contemporary music, this gives you a structured, comprehensive resource that won't require you to transcribe grooves by ear.

Skills your students will build

  • Reading and executing straight and swing eighth-note feels at various tempos
  • Understanding blues chord progressions and their relationship to bass line construction
  • Creating original bass lines using scales and chord tones within a blues context
  • Playing grooves across rock blues, jazz blues, and funk blues styles with appropriate feel and pocket
  • Building bass vocabulary through study of model lines and variations

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